Skip to content
Chroma
#14130a

Ranked by perceptual distance

Works near #14130a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 0.3 · near-exact

    63% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 0.7 · near-exact

    62% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 5.5 · close

    78% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 4.1 · very close

    66% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 3.0 · very close

    61% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 2.3 · very close

    50% of canvas

  • Fragment by Probably England, 1650/75

    Fragment

    Probably England

    ΔE 5.5 · close

    62% of canvas

  • Portrait Head of a Woman by Ancient Roman, about 140

    Portrait Head of a Woman

    Ancient Roman

    ΔE 5.5 · close

    62% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 2.4 · very close

    45% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 5.0 · close

    58% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 3.3 · very close

    49% of canvas

  • Borders by Belgium, 1875/1900

    Borders

    Belgium

    ΔE 5.5 · close

    59% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 3.8 · very close

    48% of canvas

  • Border by Probably Italy, 1875/1900

    Border

    Probably Italy

    ΔE 5.3 · close

    54% of canvas

  • Half Shawl by France, Bayeux, Early 1860s

    Half Shawl

    France, Bayeux

    ΔE 4.6 · very close

    50% of canvas

  • Fan by England, 18th century

    Fan

    England

    ΔE 5.4 · close

    54% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 7.0 · close

    61% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 4.2 · very close

    46% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 7.2 · close

    58% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.9 · very close

    46% of canvas

  • Fan by France, 1701/25

    Fan

    France

    ΔE 4.5 · very close

    44% of canvas

  • Amice by Spain, 17th century

    Amice

    Spain

    ΔE 4.9 · very close

    46% of canvas

  • Fragment (Dress Fabric) by France, 18th century

    Fragment (Dress Fabric)

    France

    ΔE 5.2 · close

    47% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 5.4 · close

    48% of canvas

  • Fan by Benjamin West, 1775/1800

    Fan

    Benjamin West

    ΔE 5.1 · close

    45% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 4.1 · very close

    40% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 3.6 · very close

    37% of canvas

  • William Douglas, Fourth Duke of Queensberry (1724–1810) by Samuel Percy, c. 1782

    William Douglas, Fourth Duke of Queensberry (1724–1810)

    Samuel Percy

    ΔE 0.9 · near-exact

    23% of canvas

  • Bag by Chancay, 1000-1476

    Bag

    Chancay

    ΔE 4.5 · very close

    40% of canvas

  • Fan by France, 19th century

    Fan

    France

    ΔE 4.5 · very close

    40% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 5.6 · close

    45% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 4.6 · very close

    39% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 4.3 · very close

    38% of canvas

  • Dalmatic with Apparel and Orphrey Band by Spain, 17th century

    Dalmatic with Apparel and Orphrey Band

    Spain

    ΔE 5.3 · close

    43% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 4.2 · very close

    37% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 8.1 · close

    56% of canvas

  • Flounce by Italy, Venice, 1675/1700

    Flounce

    Italy, Venice

    ΔE 5.3 · close

    42% of canvas

  • Bertha and Two Cuffs (Made from a Border) by Probably Italy, Venice, 1895/1905

    Bertha and Two Cuffs (Made from a Border)

    Probably Italy, Venice

    ΔE 5.3 · close

    41% of canvas

  • Three Flounces by Belgium, 1875/1900

    Three Flounces

    Belgium

    ΔE 5.4 · close

    42% of canvas

  • Kylix (Drinking Cup) by Penthesilea Painter, about 460 BCE

    Kylix (Drinking Cup)

    Penthesilea Painter

    ΔE 3.5 · very close

    32% of canvas

  • Seven Borders by Belgium, 1850/75

    Seven Borders

    Belgium

    ΔE 5.4 · close

    41% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 3.7 · very close

    32% of canvas

  • Borders by Italy, Burano, Burano School of Lace, 1875/1900 (based on French lace of 1760s)

    Borders

    Italy, Burano, Burano School of Lace

    ΔE 5.4 · close

    41% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 5.1 · close

    39% of canvas

  • Waistcoat by France, 18th century

    Waistcoat

    France

    ΔE 5.3 · close

    39% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 4.4 · very close

    34% of canvas

  • Waistcoat by France, 18th century

    Waistcoat

    France

    ΔE 5.3 · close

    38% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 7.9 · close

    49% of canvas

  • Border by Belgium, Flanders, probably Antwerp, 1825/50

    Border

    Belgium, Flanders, probably Antwerp

    ΔE 5.2 · close

    36% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 8.7 · close

    53% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 3.7 · very close

    28% of canvas

  • Plate by China, c. 1750

    Plate

    China

    ΔE 4.2 · very close

    31% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.4 · close

    36% of canvas

  • Headdress by Netherlands, 1868

    Headdress

    Netherlands

    ΔE 4.4 · very close

    31% of canvas

  • Soup Bowl by China, c. 1750

    Soup Bowl

    China

    ΔE 3.5 · very close

    26% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 2.7 · very close

    22% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 2.6 · very close

    21% of canvas

  • Fan by France, c. 1870

    Fan

    France

    ΔE 4.4 · very close

    30% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 2.4 · very close

    20% of canvas

  • Valance (Incomplete) by England, Honiton, 1860s

    Valance (Incomplete)

    England, Honiton

    ΔE 2.1 · very close

    18% of canvas

What ΔE means, and what this does not measure