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#181d1d

Ranked by perceptual distance

Works near #181d1d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 6.9 · close

    78% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 5.0 · close

    66% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 4.4 · very close

    58% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 2.5 · very close

    48% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 5.3 · close

    62% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 5.7 · close

    63% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 5.4 · close

    61% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 5.2 · close

    56% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 3.8 · very close

    49% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 3.4 · very close

    45% of canvas

  • Fragment by Probably England, 1650/75

    Fragment

    Probably England

    ΔE 6.9 · close

    62% of canvas

  • Portrait Head of a Woman by Ancient Roman, about 140

    Portrait Head of a Woman

    Ancient Roman

    ΔE 6.9 · close

    62% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 6.3 · close

    58% of canvas

  • Half Shawl by France, Bayeux, Early 1860s

    Half Shawl

    France, Bayeux

    ΔE 5.0 · very close

    50% of canvas

  • Borders by Belgium, 1875/1900

    Borders

    Belgium

    ΔE 6.9 · close

    59% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 5.0 · close

    49% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 5.6 · close

    50% of canvas

  • Fan by France, 19th century

    Fan

    France

    ΔE 3.7 · very close

    40% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 4.8 · very close

    45% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 4.9 · very close

    46% of canvas

  • Border by Probably Italy, 1875/1900

    Border

    Probably Italy

    ΔE 6.8 · close

    54% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 3.6 · very close

    38% of canvas

  • Fan by England, 18th century

    Fan

    England

    ΔE 6.8 · close

    54% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 4.7 · very close

    43% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 0.2 · near-exact

    19% of canvas

  • Fan by France, 1701/25

    Fan

    France

    ΔE 5.1 · close

    44% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 4.5 · very close

    40% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 9.0 · close

    61% of canvas

  • Amice by Spain, 17th century

    Amice

    Spain

    ΔE 6.0 · close

    46% of canvas

  • Soup Bowl by China, c. 1745

    Soup Bowl

    China

    ΔE 3.3 · very close

    31% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 4.5 · very close

    37% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 4.6 · very close

    37% of canvas

  • Fragment (Dress Fabric) by France, 18th century

    Fragment (Dress Fabric)

    France

    ΔE 6.6 · close

    47% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 6.8 · close

    48% of canvas

  • Fan by Benjamin West, 1775/1800

    Fan

    Benjamin West

    ΔE 6.4 · close

    45% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.6 · close

    46% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 3.9 · very close

    33% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 5.3 · close

    39% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 3.5 · very close

    30% of canvas

  • Soup Bowl by China, c. 1750

    Soup Bowl

    China

    ΔE 3.7 · very close

    30% of canvas

  • Platter by China, 1785/1800

    Platter

    China

    ΔE 3.3 · very close

    28% of canvas

  • Platter by China, c. 1750

    Platter

    China

    ΔE 3.2 · very close

    28% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 2.7 · very close

    25% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 4.2 · very close

    32% of canvas

  • Bertha by Belgium, 1895/1905

    Bertha

    Belgium

    ΔE 5.4 · close

    37% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.2 · close

    36% of canvas

  • Plate by China, c. 1750

    Plate

    China

    ΔE 4.2 · very close

    31% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 7.2 · close

    46% of canvas

  • Dalmatic with Apparel and Orphrey Band by Spain, 17th century

    Dalmatic with Apparel and Orphrey Band

    Spain

    ΔE 6.7 · close

    43% of canvas

  • Sewing Box by France, 19th century

    Sewing Box

    France

    ΔE 2.4 · very close

    21% of canvas

  • Flounce by Italy, Venice, 1675/1700

    Flounce

    Italy, Venice

    ΔE 6.6 · close

    42% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 3.9 · very close

    28% of canvas

  • Bertha and Two Cuffs (Made from a Border) by Probably Italy, Venice, 1895/1905

    Bertha and Two Cuffs (Made from a Border)

    Probably Italy, Venice

    ΔE 6.7 · close

    41% of canvas

  • Headdress by Netherlands, 1868

    Headdress

    Netherlands

    ΔE 4.6 · very close

    31% of canvas

  • Fan by France, c. 1870

    Fan

    France

    ΔE 4.5 · very close

    30% of canvas

  • Single Spout Blackware Vessel in the Form of a Duck by Chimú, 1000–1400

    Single Spout Blackware Vessel in the Form of a Duck

    Chimú

    ΔE 4.5 · very close

    30% of canvas

  • Sacrifice to Minerva by William Hackwood, c. 1785

    Sacrifice to Minerva

    William Hackwood

    ΔE 3.8 · very close

    27% of canvas

  • Three Flounces by Belgium, 1875/1900

    Three Flounces

    Belgium

    ΔE 6.9 · close

    42% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 2.6 · very close

    20% of canvas

  • Seven Borders by Belgium, 1850/75

    Seven Borders

    Belgium

    ΔE 6.9 · close

    41% of canvas

What ΔE means, and what this does not measure