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#191b1a

Ranked by perceptual distance

Works near #191b1a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 5.9 · close

    78% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 4.1 · very close

    66% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 4.2 · very close

    63% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 4.0 · very close

    62% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 1.4 · near-exact

    48% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 4.2 · very close

    61% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 2.0 · near-exact

    49% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 3.8 · very close

    58% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 2.2 · very close

    45% of canvas

  • Fragment by Probably England, 1650/75

    Fragment

    Probably England

    ΔE 5.9 · close

    62% of canvas

  • Portrait Head of a Woman by Ancient Roman, about 140

    Portrait Head of a Woman

    Ancient Roman

    ΔE 5.9 · close

    62% of canvas

  • Half Shawl by France, Bayeux, Early 1860s

    Half Shawl

    France, Bayeux

    ΔE 3.6 · very close

    50% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 5.2 · close

    58% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 4.9 · very close

    56% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 3.8 · very close

    50% of canvas

  • Borders by Belgium, 1875/1900

    Borders

    Belgium

    ΔE 5.9 · close

    59% of canvas

  • Fan by France, 19th century

    Fan

    France

    ΔE 2.2 · very close

    40% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 3.6 · very close

    46% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 3.5 · very close

    45% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 4.6 · very close

    49% of canvas

  • Border by Probably Italy, 1875/1900

    Border

    Probably Italy

    ΔE 5.8 · close

    54% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 7.1 · close

    61% of canvas

  • Fan by England, 18th century

    Fan

    England

    ΔE 5.8 · close

    54% of canvas

  • Fan by France, 1701/25

    Fan

    France

    ΔE 3.9 · very close

    44% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 2.7 · very close

    37% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 3.1 · very close

    38% of canvas

  • Soup Bowl by China, c. 1745

    Soup Bowl

    China

    ΔE 1.7 · near-exact

    31% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 3.5 · very close

    40% of canvas

  • Amice by Spain, 17th century

    Amice

    Spain

    ΔE 4.9 · very close

    46% of canvas

  • Platter by China, c. 1750

    Platter

    China

    ΔE 1.5 · near-exact

    28% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 3.4 · very close

    37% of canvas

  • Platter by China, 1785/1800

    Platter

    China

    ΔE 1.7 · near-exact

    28% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 2.1 · very close

    30% of canvas

  • Fragment (Dress Fabric) by France, 18th century

    Fragment (Dress Fabric)

    France

    ΔE 5.5 · close

    47% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 5.6 · close

    48% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 4.9 · very close

    43% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 4.1 · very close

    39% of canvas

  • Fan by Benjamin West, 1775/1800

    Fan

    Benjamin West

    ΔE 5.3 · close

    45% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.5 · close

    46% of canvas

  • Soup Bowl by China, c. 1750

    Soup Bowl

    China

    ΔE 2.5 · very close

    30% of canvas

  • Plate by China, c. 1750

    Plate

    China

    ΔE 2.7 · very close

    31% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 2.3 · very close

    28% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 3.9 · very close

    36% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 3.1 · very close

    32% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 2.0 · very close

    25% of canvas

  • Dalmatic with Apparel and Orphrey Band by Spain, 17th century

    Dalmatic with Apparel and Orphrey Band

    Spain

    ΔE 5.7 · close

    43% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 3.7 · very close

    33% of canvas

  • Fan by France, c. 1870

    Fan

    France

    ΔE 3.1 · very close

    30% of canvas

  • Soup Bowl by China, c. 1750

    Soup Bowl

    China

    ΔE 2.3 · very close

    26% of canvas

  • Headdress by Netherlands, 1868

    Headdress

    Netherlands

    ΔE 3.3 · very close

    31% of canvas

  • Kylix (Drinking Cup) by Penthesilea Painter, about 460 BCE

    Kylix (Drinking Cup)

    Penthesilea Painter

    ΔE 3.6 · very close

    32% of canvas

  • Flounce by Italy, Venice, 1675/1700

    Flounce

    Italy, Venice

    ΔE 5.6 · close

    42% of canvas

  • Bertha and Two Cuffs (Made from a Border) by Probably Italy, Venice, 1895/1905

    Bertha and Two Cuffs (Made from a Border)

    Probably Italy, Venice

    ΔE 5.6 · close

    41% of canvas

  • Bertha by Belgium, 1895/1905

    Bertha

    Belgium

    ΔE 4.8 · very close

    37% of canvas

  • Headdress by Germany, Württenberg, 19th century

    Headdress

    Germany, Württenberg

    ΔE 2.3 · very close

    24% of canvas

  • Fan by France, c. 1870

    Fan

    France

    ΔE 1.8 · near-exact

    22% of canvas

  • Bag by Chancay, 1000-1476

    Bag

    Chancay

    ΔE 5.4 · close

    40% of canvas

  • Three Flounces by Belgium, 1875/1900

    Three Flounces

    Belgium

    ΔE 5.8 · close

    42% of canvas

  • Eric Leapt Out by Walter Stanley Paget, 1889

    Eric Leapt Out

    Walter Stanley Paget

    ΔE 1.4 · near-exact

    19% of canvas

  • Seven Borders by Belgium, 1850/75

    Seven Borders

    Belgium

    ΔE 5.9 · close

    41% of canvas

What ΔE means, and what this does not measure