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#2b2724

Ranked by perceptual distance

Works near #2b2724

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 3.1 · very close

    58% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 3.0 · very close

    56% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 6.1 · close

    66% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 3.0 · very close

    49% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 5.7 · close

    61% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 3.6 · very close

    46% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 3.6 · very close

    46% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 10.2 · close

    78% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 7.4 · close

    63% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 1.3 · near-exact

    32% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 7.7 · close

    64% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 2.2 · very close

    36% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 4.1 · very close

    45% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 7.7 · close

    62% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 12.5 · loosely related

    86% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 5.4 · close

    49% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 6.7 · close

    55% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 4.3 · very close

    43% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 2.7 · very close

    35% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 9.0 · close

    66% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 6.4 · close

    53% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 2.3 · very close

    32% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 7.2 · close

    56% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 6.1 · close

    50% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 5.7 · close

    48% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.2 · very close

    30% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.1 · very close

    39% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.4 · very close

    30% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 4.4 · very close

    39% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 8.8 · close

    61% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 3.1 · very close

    32% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.7 · very close

    35% of canvas

  • Single Spout Blackware Vessel in the Form of a Duck by Chimú, 1000–1400

    Single Spout Blackware Vessel in the Form of a Duck

    Chimú

    ΔE 2.7 · very close

    30% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 4.7 · very close

    40% of canvas

  • Mug by Ancient Greek, about 460 BCE

    Mug

    Ancient Greek

    ΔE 2.2 · very close

    27% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 4.2 · very close

    37% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 4.2 · very close

    37% of canvas

  • Bag by Chancay, 1000-1476

    Bag

    Chancay

    ΔE 4.9 · very close

    40% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 4.8 · very close

    39% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 3.6 · very close

    32% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 3.5 · very close

    32% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.5 · very close

    36% of canvas

  • Anne Harman Lyney by Joachim Smith, 1797

    Anne Harman Lyney

    Joachim Smith

    ΔE 3.5 · very close

    31% of canvas

  • Vessel in the Form of a Deer Impersonator by Moche, 100 BCE–500 CE

    Vessel in the Form of a Deer Impersonator

    Moche

    ΔE 2.9 · very close

    28% of canvas

  • Cover by China, c. 1765, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–95)

    Cover

    China

    ΔE 2.9 · very close

    28% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.0 · very close

    33% of canvas

  • Soup Bowl by China, c. 1750

    Soup Bowl

    China

    ΔE 3.5 · very close

    30% of canvas

  • Half Shawl by France, Bayeux, Early 1860s

    Half Shawl

    France, Bayeux

    ΔE 7.5 · close

    50% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 4.5 · very close

    35% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 2.2 · very close

    22% of canvas

  • Fragment by Probably England, 1650/75

    Fragment

    Probably England

    ΔE 10.2 · close

    62% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 5.0 · very close

    36% of canvas

  • Portrait Head of a Woman by Ancient Roman, about 140

    Portrait Head of a Woman

    Ancient Roman

    ΔE 10.2 · close

    62% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 4.7 · very close

    34% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.6 · very close

    34% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 3.5 · very close

    28% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 3.7 · very close

    29% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 9.4 · close

    58% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 3.9 · very close

    30% of canvas

  • Sacrifice to Minerva by William Hackwood, c. 1785

    Sacrifice to Minerva

    William Hackwood

    ΔE 3.3 · very close

    27% of canvas

What ΔE means, and what this does not measure