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#2c2418

Ranked by perceptual distance

Works near #2c2418

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 1.6 · near-exact

    53% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 5.2 · close

    64% of canvas

  • The Cottage by the Roadside, Stormy Sky by Jules Dupré, c. 1860

    The Cottage by the Roadside, Stormy Sky

    Jules Dupré

    ΔE 0.2 · near-exact

    35% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 7.7 · close

    66% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 2.9 · very close

    39% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 7.3 · close

    61% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 7.9 · close

    63% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 2.7 · very close

    35% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.4 · very close

    38% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 8.4 · close

    62% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 12.0 · loosely related

    78% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 8.0 · close

    58% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 5.5 · close

    46% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 2.1 · very close

    27% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 8.1 · close

    56% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 2.2 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 3.1 · very close

    30% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 2.6 · very close

    27% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 5.7 · close

    42% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 3.4 · very close

    30% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 8.8 · close

    56% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 4.9 · very close

    36% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 11.0 · close

    66% of canvas

  • Bag by Chancay, 1000-1476

    Bag

    Chancay

    ΔE 5.7 · close

    40% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 5.5 · close

    39% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 2.7 · very close

    24% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 2.0 · near-exact

    20% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 4.3 · very close

    32% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 15.2 · loosely related

    86% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 7.9 · close

    49% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 4.7 · very close

    33% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 8.0 · close

    49% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 10.3 · close

    61% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.2 · very close

    30% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 5.2 · close

    35% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 4.1 · very close

    29% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 5.3 · close

    35% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.6 · close

    36% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 6.4 · close

    40% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 4.1 · very close

    28% of canvas

  • Noah Smith by Ralph Earl, 1798

    Noah Smith

    Ralph Earl

    ΔE 4.4 · very close

    29% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 2.9 · very close

    21% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 5.0 · close

    32% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 8.3 · close

    48% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 6.1 · close

    37% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 7.9 · close

    46% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.3 · close

    32% of canvas

  • Pasture in Normandy by Constant Troyon, 1852

    Pasture in Normandy

    Constant Troyon

    ΔE 3.0 · very close

    20% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 5.8 · close

    34% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 6.2 · close

    35% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 8.2 · close

    45% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.3 · close

    55% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 2.7 · very close

    17% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 6.7 · close

    37% of canvas

  • The Watermill with the Great Red Roof by Meindert Hobbema, c. 1665

    The Watermill with the Great Red Roof

    Meindert Hobbema

    ΔE 4.1 · very close

    24% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 6.3 · close

    34% of canvas

  • Fragment by Probably England, 1650/75

    Fragment

    Probably England

    ΔE 12.0 · close

    62% of canvas

  • Portrait Head of a Woman by Ancient Roman, about 140

    Portrait Head of a Woman

    Ancient Roman

    ΔE 12.0 · close

    62% of canvas

  • Daniel Mytens by Paul Pontius, 1630/45

    Daniel Mytens

    Paul Pontius

    ΔE 2.3 · very close

    13% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 6.1 · close

    32% of canvas

What ΔE means, and what this does not measure