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#2e2d27

Ranked by perceptual distance

Works near #2e2d27

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 5.3 · close

    66% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 4.1 · very close

    56% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 4.6 · very close

    58% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 1.5 · near-exact

    39% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 5.1 · close

    56% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 3.0 · very close

    46% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 11.2 · close

    86% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 4.2 · very close

    49% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 5.6 · close

    55% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 1.6 · near-exact

    34% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 1.8 · near-exact

    35% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 0.5 · near-exact

    28% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 2.7 · very close

    39% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 4.1 · very close

    46% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 1.4 · near-exact

    32% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 4.0 · very close

    43% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 8.2 · close

    63% of canvas

  • Pierre Dupuis, Painter to the King by Antoine Masson, 1663

    Pierre Dupuis, Painter to the King

    Antoine Masson

    ΔE 0.7 · near-exact

    26% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 2.6 · very close

    35% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 2.1 · very close

    32% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 0.3 · near-exact

    23% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 8.3 · close

    62% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.0 · very close

    30% of canvas

  • Pierre de Montarsis by Gérard Edelinck, 1692

    Pierre de Montarsis

    Gérard Edelinck

    ΔE 4.2 · very close

    40% of canvas

  • Panel by France, 1730s

    Panel

    France

    ΔE 5.9 · close

    48% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 12.0 · loosely related

    78% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 2.8 · very close

    32% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 3.5 · very close

    35% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 2.9 · very close

    32% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 4.0 · very close

    37% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 3.9 · very close

    36% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 9.5 · close

    64% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 1.5 · near-exact

    24% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 3.6 · very close

    34% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 7.4 · close

    53% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 9.0 · close

    61% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 5.9 · close

    45% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 4.8 · very close

    39% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 10.4 · close

    66% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 6.9 · close

    49% of canvas

  • Crispin by Gérard Edelinck, 1682

    Crispin

    Gérard Edelinck

    ΔE 1.8 · near-exact

    23% of canvas

  • The actor Sawamura Sojuro lll as the lay priest Kiyomori by Utagawa Kunimasa, c. 1795

    The actor Sawamura Sojuro lll as the lay priest Kiyomori

    Utagawa Kunimasa

    ΔE 2.1 · very close

    24% of canvas

  • William Douglas, Fourth Duke of Queensberry (1724–1810) by Samuel Percy, c. 1782

    William Douglas, Fourth Duke of Queensberry (1724–1810)

    Samuel Percy

    ΔE 3.5 · very close

    30% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 3.9 · very close

    32% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 3.3 · very close

    29% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 2.9 · very close

    27% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.6 · very close

    36% of canvas

  • Oinochoe (Pitcher) by Mattinata Painter, end of 4th century BCE

    Oinochoe (Pitcher)

    Mattinata Painter

    ΔE 1.2 · near-exact

    18% of canvas

  • Actor Segawa Kikunojô III Possibly as Ono no Komachi in “Komachi Village: New Year at the Theater” (“Komachimura shibai no shôgatsu”) by Katsukawa Shun'ei, About 1789

    Actor Segawa Kikunojô III Possibly as Ono no Komachi in “Komachi Village: New Year at the Theater” (“Komachimura shibai no shôgatsu”)

    Katsukawa Shun'ei

    ΔE 0.8 · near-exact

    16% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 7.7 · close

    50% of canvas

  • Two Borders by Belgium or France, 1870s

    Two Borders

    Belgium or France

    ΔE 2.0 · very close

    22% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 1.8 · near-exact

    21% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.3 · close

    38% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 4.2 · very close

    32% of canvas

  • Anne Harman Lyney by Joachim Smith, 1797

    Anne Harman Lyney

    Joachim Smith

    ΔE 3.9 · very close

    31% of canvas

  • Portrait of Bearded Man by Unknown artist, n.d.

    Portrait of Bearded Man

    Unknown artist

    ΔE 2.7 · very close

    24% of canvas

  • Yamauba with Kintaro Holding a Toy Mask by Kitagawa Utamaro, c. 1801/04

    Yamauba with Kintaro Holding a Toy Mask

    Kitagawa Utamaro

    ΔE 2.0 · very close

    21% of canvas

  • Commemorative Bookmark "Centennial U.S.A." by Thomas Stevens, 1876

    Commemorative Bookmark "Centennial U.S.A."

    Thomas Stevens

    ΔE 10.0 · close

    61% of canvas

  • Charger by Talavera de la Reina Potteries, 17th century

    Charger

    Talavera de la Reina Potteries

    ΔE 3.5 · very close

    28% of canvas

  • Simon Vouet by Robert van Voerst, 1630/36

    Simon Vouet

    Robert van Voerst

    ΔE 0.7 · near-exact

    14% of canvas

What ΔE means, and what this does not measure