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#35312a

Ranked by perceptual distance

Works near #35312a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 3.2 · very close

    66% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 3.8 · very close

    56% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 10.2 · close

    86% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 0.5 · near-exact

    35% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 5.2 · close

    55% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 5.3 · close

    56% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 6.0 · close

    58% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 1.4 · near-exact

    35% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 0.9 · near-exact

    32% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 3.6 · very close

    46% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 2.3 · very close

    39% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 1.7 · near-exact

    34% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 7.8 · close

    64% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 1.6 · near-exact

    32% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 1.4 · near-exact

    29% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 5.5 · close

    49% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 2.0 · very close

    32% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 6.5 · close

    53% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 1.5 · near-exact

    27% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.9 · very close

    38% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.1 · very close

    39% of canvas

  • Charger by Talavera de la Reina Potteries, 17th century

    Charger

    Talavera de la Reina Potteries

    ΔE 2.3 · very close

    28% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 5.8 · close

    46% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 3.9 · very close

    36% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.9 · very close

    30% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 5.7 · close

    43% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 9.2 · close

    61% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 4.9 · very close

    39% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 2.8 · very close

    28% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 9.8 · close

    63% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.0 · very close

    34% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.8 · very close

    32% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 0.7 · near-exact

    17% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 2.9 · very close

    27% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 3.0 · very close

    28% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 9.7 · close

    61% of canvas

  • Skyphos (Drinking Cup) by Ancient Greek, About 500-480 BCE

    Skyphos (Drinking Cup)

    Ancient Greek

    ΔE 0.7 · near-exact

    15% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 4.0 · very close

    32% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 10.1 · close

    62% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 2.5 · very close

    24% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 5.5 · close

    39% of canvas

  • Interior, Peasant House in Haute-Garonne by Rodolphe Bresdin, 1858

    Interior, Peasant House in Haute-Garonne

    Rodolphe Bresdin

    ΔE 2.5 · very close

    23% of canvas

  • Portrait of Bearded Man by Unknown artist, n.d.

    Portrait of Bearded Man

    Unknown artist

    ΔE 2.7 · very close

    24% of canvas

  • Pierre Dupuis, Painter to the King by Antoine Masson, 1663

    Pierre Dupuis, Painter to the King

    Antoine Masson

    ΔE 3.0 · very close

    26% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 4.8 · very close

    35% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 3.0 · very close

    25% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 8.8 · close

    54% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 5.7 · close

    38% of canvas

  • Crispin by Gérard Edelinck, 1682

    Crispin

    Gérard Edelinck

    ΔE 2.6 · very close

    23% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 2.5 · very close

    23% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 5.5 · close

    38% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 13.6 · loosely related

    78% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.3 · close

    36% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 4.6 · very close

    32% of canvas

  • Portrait of Rembrandt by Georg Friedrich Schmidt, 1771

    Portrait of Rembrandt

    Georg Friedrich Schmidt

    ΔE 3.8 · very close

    29% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 4.2 · very close

    30% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 5.6 · close

    37% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 4.7 · very close

    32% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 6.0 · close

    39% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 1.0 · near-exact

    14% of canvas

What ΔE means, and what this does not measure