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#36241d

Ranked by perceptual distance

Works near #36241d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 3.4 · very close

    64% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 2.2 · very close

    38% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 7.2 · close

    61% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 3.8 · very close

    42% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 6.6 · close

    53% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 9.4 · close

    66% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 4.0 · very close

    38% of canvas

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 6.9 · close

    52% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 3.4 · very close

    34% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 4.0 · very close

    36% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 3.1 · very close

    32% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 3.1 · very close

    27% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 4.8 · very close

    35% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 4.1 · very close

    30% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 4.1 · very close

    29% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 5.2 · close

    33% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 5.3 · close

    33% of canvas

  • Self-Portrait by Walter Shirlaw, 1878

    Self-Portrait

    Walter Shirlaw

    ΔE 3.9 · very close

    26% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 16.0 · loosely related

    86% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 14.5 · loosely related

    78% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.9 · very close

    30% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 10.6 · close

    58% of canvas

  • Amphoriskos (Container for Oil) by Ancient Greek, 600-575 BCE

    Amphoriskos (Container for Oil)

    Ancient Greek

    ΔE 0.1 · near-exact

    6% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 3.6 · very close

    23% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 10.5 · close

    56% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 3.5 · very close

    19% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 1.9 · near-exact

    11% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.7 · very close

    23% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 12.8 · loosely related

    63% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 6.8 · close

    32% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 5.2 · close

    24% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 10.7 · close

    52% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 6.9 · close

    32% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 5.9 · close

    27% of canvas

  • Bag by Chancay, 1000-1476

    Bag

    Chancay

    ΔE 8.5 · close

    40% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 11.8 · close

    56% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.7 · close

    26% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 4.9 · very close

    22% of canvas

  • The Cottage by the Roadside, Stormy Sky by Jules Dupré, c. 1860

    The Cottage by the Roadside, Stormy Sky

    Jules Dupré

    ΔE 7.5 · close

    35% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 10.5 · close

    49% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 10.9 · close

    50% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.3 · very close

    17% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 7.2 · close

    31% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 13.4 · loosely related

    62% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.3 · very close

    16% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 2.8 · very close

    9% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 12.2 · loosely related

    55% of canvas

  • Fan by France, 18th century

    Fan

    France

    ΔE 14.4 · loosely related

    66% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 6.5 · close

    27% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 13.3 · loosely related

    61% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 9.1 · close

    39% of canvas

  • Comb by Spain, c. 1885

    Comb

    Spain

    ΔE 3.9 · very close

    13% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 10.5 · close

    46% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 5.3 · close

    19% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.0 · very close

    17% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 5.3 · close

    19% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 10.7 · close

    46% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 3.6 · very close

    10% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.2 · very close

    8% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 11.4 · close

    49% of canvas

What ΔE means, and what this does not measure