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#38322e

Ranked by perceptual distance

Works near #38322e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 2.6 · very close

    66% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 9.5 · close

    86% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 4.5 · very close

    56% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 4.7 · very close

    55% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 5.2 · close

    56% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 6.0 · close

    58% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 7.3 · close

    64% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 3.7 · very close

    46% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 2.3 · very close

    35% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 2.5 · very close

    36% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 5.4 · close

    49% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 7.7 · close

    61% of canvas

  • Charger by Talavera de la Reina Potteries, 17th century

    Charger

    Talavera de la Reina Potteries

    ΔE 1.4 · near-exact

    28% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 2.7 · very close

    35% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 2.5 · very close

    32% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 2.9 · very close

    32% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 8.7 · close

    61% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 4.4 · very close

    39% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 7.3 · close

    53% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 3.2 · very close

    32% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 2.7 · very close

    29% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 3.3 · very close

    32% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 4.5 · very close

    38% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.8 · very close

    39% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 4.8 · very close

    38% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 4.0 · very close

    34% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 4.9 · very close

    39% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.0 · very close

    34% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 0.1 · near-exact

    14% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 1.3 · near-exact

    19% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 6.1 · close

    43% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 4.8 · very close

    37% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 8.8 · close

    57% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 3.6 · very close

    30% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 8.9 · close

    57% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.4 · close

    39% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 4.1 · very close

    32% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 4.4 · very close

    34% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 4.6 · very close

    35% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 7.0 · close

    46% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.7 · close

    38% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 6.0 · close

    40% of canvas

  • Covered Dish by China, c. 1765, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–95)

    Covered Dish

    China

    ΔE 3.5 · very close

    27% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 4.7 · very close

    32% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 11.0 · close

    63% of canvas

  • Anne Harman Lyney by Joachim Smith, 1797

    Anne Harman Lyney

    Joachim Smith

    ΔE 4.4 · very close

    31% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 5.2 · close

    35% of canvas

  • Border by Belgium, Flanders, Brussels, 1730s/40s

    Border

    Belgium, Flanders, Brussels

    ΔE 14.0 · loosely related

    78% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 3.8 · very close

    27% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 9.8 · close

    57% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.4 · very close

    30% of canvas

  • Courtyard by Alexandre Gabriel Decamps, c. 1855

    Courtyard

    Alexandre Gabriel Decamps

    ΔE 7.6 · close

    45% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 3.1 · very close

    23% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.8 · close

    36% of canvas

  • Tureen with Cover and Stand by Chinese export porcelain, c. 1787–90

    Tureen with Cover and Stand

    Chinese export porcelain

    ΔE 4.2 · very close

    27% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 5.8 · close

    35% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 11.3 · close

    62% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 7.9 · close

    45% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 2.3 · very close

    17% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 8.6 · close

    48% of canvas

What ΔE means, and what this does not measure