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#383831

Ranked by perceptual distance

Works near #383831

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 4.1 · very close

    66% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 2.3 · very close

    56% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 8.4 · close

    86% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 4.0 · very close

    55% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 5.6 · close

    54% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 4.1 · very close

    46% of canvas

  • No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" by Utagawa Hiroshige, c. 1835/38

    No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"

    Utagawa Hiroshige

    ΔE 1.1 · near-exact

    30% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 6.5 · close

    56% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 2.2 · very close

    34% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 3.2 · very close

    39% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 6.3 · close

    54% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 1.1 · near-exact

    27% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 7.3 · close

    58% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 1.5 · near-exact

    28% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 3.7 · very close

    39% of canvas

  • The Lock by David Lucas, 1832–34

    The Lock

    David Lucas

    ΔE 1.7 · near-exact

    28% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 2.8 · very close

    32% of canvas

  • Commemorating Ferdinand Dutert, Architect by Jules Clément Chaplain, c. 1880/92

    Commemorating Ferdinand Dutert, Architect

    Jules Clément Chaplain

    ΔE 4.6 · very close

    41% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.1 · very close

    39% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 1.5 · near-exact

    25% of canvas

  • Portrait of Rembrandt by Georg Friedrich Schmidt, 1771

    Portrait of Rembrandt

    Georg Friedrich Schmidt

    ΔE 2.2 · very close

    29% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.7 · very close

    35% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 3.0 · very close

    32% of canvas

  • Portrait Bust of Gustave Adolphe Hirn by Louis Oscar Roty, c. 1880/92

    Portrait Bust of Gustave Adolphe Hirn

    Louis Oscar Roty

    ΔE 1.3 · near-exact

    23% of canvas

  • The Cornfield by David Lucas, 1832–34

    The Cornfield

    David Lucas

    ΔE 1.0 · near-exact

    21% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 6.7 · close

    49% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 4.7 · very close

    39% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 3.2 · very close

    32% of canvas

  • Interior, Peasant House in Haute-Garonne by Rodolphe Bresdin, 1858

    Interior, Peasant House in Haute-Garonne

    Rodolphe Bresdin

    ΔE 1.6 · near-exact

    23% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 3.8 · very close

    34% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 4.7 · very close

    38% of canvas

  • Portrait of Edmond de Goncourt by Félix Henri Bracquemond, 1882

    Portrait of Edmond de Goncourt

    Félix Henri Bracquemond

    ΔE 1.1 · near-exact

    20% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 4.0 · very close

    35% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 8.4 · close

    57% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 4.5 · very close

    37% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 8.5 · close

    57% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 4.8 · very close

    38% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 9.4 · close

    61% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 6.0 · close

    43% of canvas

  • Mirror with Images of Daoist Deities by China, Eastern Han dynasty (25–220 CE), 2nd or 3rd century CE

    Mirror with Images of Daoist Deities

    China

    ΔE 1.2 · near-exact

    19% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 1.3 · near-exact

    20% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 5.4 · close

    40% of canvas

  • Crispin by Gérard Edelinck, 1682

    Crispin

    Gérard Edelinck

    ΔE 2.1 · very close

    23% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 4.0 · very close

    32% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.7 · very close

    36% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 3.6 · very close

    30% of canvas

  • The Birth of the Virgin, from The Life of the Virgin by Albrecht Dürer, c. 1503–04, published 1511

    The Birth of the Virgin, from The Life of the Virgin

    Albrecht Dürer

    ΔE 1.4 · near-exact

    19% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 4.4 · very close

    34% of canvas

  • William Douglas, Fourth Duke of Queensberry (1724–1810) by Samuel Percy, c. 1782

    William Douglas, Fourth Duke of Queensberry (1724–1810)

    Samuel Percy

    ΔE 3.7 · very close

    30% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 9.0 · close

    57% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 2.5 · very close

    24% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 4.7 · very close

    35% of canvas

  • The Bull by Paulus Potter, 1650

    The Bull

    Paulus Potter

    ΔE 1.5 · near-exact

    19% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 6.8 · close

    45% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 1.5 · near-exact

    18% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 4.4 · very close

    32% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 1.8 · near-exact

    19% of canvas

  • Portrait of Bearded Man by Unknown artist, n.d.

    Portrait of Bearded Man

    Unknown artist

    ΔE 2.8 · very close

    24% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 5.0 · very close

    35% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 1.6 · near-exact

    18% of canvas

What ΔE means, and what this does not measure