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#3a331f

Ranked by perceptual distance

Works near #3a331f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 0.2 · near-exact

    35% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 7.4 · close

    66% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.2 · very close

    38% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 7.3 · close

    56% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 8.9 · close

    64% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 6.8 · close

    53% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 13.5 · loosely related

    86% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 3.5 · very close

    32% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 3.1 · very close

    30% of canvas

  • Noah Smith by Ralph Earl, 1798

    Noah Smith

    Ralph Earl

    ΔE 3.1 · very close

    29% of canvas

  • View of Port St. Bernard by Charles Melchior Descourtis, 1784

    View of Port St. Bernard

    Charles Melchior Descourtis

    ΔE 0.4 · near-exact

    15% of canvas

  • The Watermill with the Great Red Roof by Meindert Hobbema, c. 1665

    The Watermill with the Great Red Roof

    Meindert Hobbema

    ΔE 2.2 · very close

    24% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 3.9 · very close

    28% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 4.3 · very close

    30% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 6.0 · close

    39% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 2.1 · very close

    18% of canvas

  • The Cottage by the Roadside, Stormy Sky by Jules Dupré, c. 1860

    The Cottage by the Roadside, Stormy Sky

    Jules Dupré

    ΔE 2.3 · very close

    19% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 5.0 · close

    32% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.4 · close

    54% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 1.8 · near-exact

    15% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 6.1 · close

    36% of canvas

  • Scarab Amulet by Ancient Egyptian, Late Period, Dynasty 26 (664-525 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 2.5 · very close

    17% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.9 · close

    54% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 2.0 · very close

    14% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.4 · close

    55% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 6.6 · close

    35% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 1.6 · near-exact

    10% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 5.0 · very close

    27% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.3 · close

    33% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 4.2 · very close

    23% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 5.2 · close

    27% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 6.6 · close

    34% of canvas

  • Lights of Other Days by John Frederick Peto, 1906

    Lights of Other Days

    John Frederick Peto

    ΔE 12.4 · loosely related

    63% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 11.1 · close

    56% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 11.5 · close

    58% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 7.2 · close

    37% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 2.8 · very close

    14% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 11.5 · close

    57% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 6.8 · close

    33% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 6.6 · close

    32% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 5.4 · close

    26% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 6.2 · close

    30% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 6.0 · close

    29% of canvas

  • Portrait of Bearded Man by Unknown artist, n.d.

    Portrait of Bearded Man

    Unknown artist

    ΔE 5.1 · close

    24% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 3.6 · very close

    17% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 4.3 · very close

    20% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 4.1 · very close

    19% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.7 · very close

    12% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 6.3 · close

    30% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 7.3 · close

    35% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 5.9 · close

    28% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 4.9 · very close

    23% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 4.9 · very close

    23% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 7.8 · close

    37% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 4.5 · very close

    20% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 9.6 · close

    46% of canvas

  • Woman at the Gate by Camille Pissarro, 1889

    Woman at the Gate

    Camille Pissarro

    ΔE 3.3 · very close

    14% of canvas

  • Souvenir of Tuscany by Jean Baptiste Camille Corot, c. 1845

    Souvenir of Tuscany

    Jean Baptiste Camille Corot

    ΔE 4.8 · very close

    21% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 3.2 · very close

    13% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 9.7 · close

    46% of canvas

What ΔE means, and what this does not measure