Skip to content
Chroma
#3e3a32

Ranked by perceptual distance

Works near #3e3a32

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 2.0 · near-exact

    66% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 1.4 · near-exact

    56% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 7.9 · close

    86% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 4.6 · very close

    55% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 1.8 · near-exact

    32% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 6.9 · close

    57% of canvas

  • Portrait of Rembrandt by Georg Friedrich Schmidt, 1771

    Portrait of Rembrandt

    Georg Friedrich Schmidt

    ΔE 1.4 · near-exact

    29% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 7.1 · close

    57% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 2.2 · very close

    32% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 3.7 · very close

    39% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 6.7 · close

    54% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 5.1 · close

    46% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 1.2 · near-exact

    25% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.1 · very close

    35% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 1.6 · near-exact

    27% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 7.6 · close

    57% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 7.5 · close

    56% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 1.8 · near-exact

    28% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 3.2 · very close

    34% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 4.2 · very close

    39% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 3.9 · very close

    37% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 9.3 · close

    64% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 7.3 · close

    54% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 8.8 · close

    61% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 4.3 · very close

    38% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 8.4 · close

    58% of canvas

  • The Lock by David Lucas, 1832–34

    The Lock

    David Lucas

    ΔE 2.5 · very close

    28% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 1.8 · near-exact

    24% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 1.5 · near-exact

    23% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 4.7 · very close

    38% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 4.0 · very close

    35% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 4.5 · very close

    37% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.1 · close

    39% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 4.2 · very close

    35% of canvas

  • A Summerland by David Lucas, 1831

    A Summerland

    David Lucas

    ΔE 1.9 · near-exact

    23% of canvas

  • Old Sarum by David Lucas, 1832

    Old Sarum

    David Lucas

    ΔE 1.9 · near-exact

    23% of canvas

  • Portrait Bust of Gustave Adolphe Hirn by Louis Oscar Roty, c. 1880/92

    Portrait Bust of Gustave Adolphe Hirn

    Louis Oscar Roty

    ΔE 1.9 · near-exact

    23% of canvas

  • No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" by Utagawa Hiroshige, c. 1835/38

    No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"

    Utagawa Hiroshige

    ΔE 3.2 · very close

    30% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.5 · very close

    36% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 3.7 · very close

    32% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.0 · close

    38% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 5.4 · close

    40% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 3.6 · very close

    30% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 6.7 · close

    45% of canvas

  • Commemorating Ferdinand Dutert, Architect by Jules Clément Chaplain, c. 1880/92

    Commemorating Ferdinand Dutert, Architect

    Jules Clément Chaplain

    ΔE 5.9 · close

    41% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 1.6 · near-exact

    19% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 6.6 · close

    44% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 7.4 · close

    48% of canvas

  • Portrait of Edouard Molé by Robert Nanteuil, 1653

    Portrait of Edouard Molé

    Robert Nanteuil

    ΔE 2.2 · very close

    22% of canvas

  • Souvenir of Tuscany by Jean Baptiste Camille Corot, c. 1845

    Souvenir of Tuscany

    Jean Baptiste Camille Corot

    ΔE 2.0 · very close

    21% of canvas

  • Landscape with Figures by Narcisse Virgile Diaz de la Peña, c. 1870

    Landscape with Figures

    Narcisse Virgile Diaz de la Peña

    ΔE 7.7 · close

    49% of canvas

  • Charger by Talavera de la Reina Potteries, 17th century

    Charger

    Talavera de la Reina Potteries

    ΔE 3.5 · very close

    28% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 3.1 · very close

    26% of canvas

  • Interior, Peasant House in Haute-Garonne by Rodolphe Bresdin, 1858

    Interior, Peasant House in Haute-Garonne

    Rodolphe Bresdin

    ΔE 2.6 · very close

    23% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 5.7 · close

    39% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 4.7 · very close

    34% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 3.9 · very close

    29% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 8.6 · close

    53% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.9 · very close

    34% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 5.4 · close

    36% of canvas

What ΔE means, and what this does not measure