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#403e23

Ranked by perceptual distance

Works near #403e23

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 7.0 · close

    54% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 13.8 · loosely related

    86% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 10.5 · close

    66% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 8.3 · close

    54% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 5.1 · close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.8 · close

    41% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 2.5 · very close

    25% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.6 · very close

    34% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 9.1 · close

    56% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 5.1 · close

    35% of canvas

  • Panel by France or England, c. 1725

    Panel

    France or England

    ΔE 0.3 · near-exact

    11% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.1 · close

    39% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 5.5 · close

    35% of canvas

  • Fragment by Italy, early 17th century

    Fragment

    Italy

    ΔE 5.2 · close

    33% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.0 · close

    31% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 6.4 · close

    38% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.5 · close

    33% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 5.5 · close

    32% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 6.5 · close

    36% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 4.0 · very close

    22% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 5.7 · close

    30% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.0 · close

    32% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 5.2 · close

    26% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 6.4 · close

    32% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 6.4 · close

    32% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 6.3 · close

    31% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 7.5 · close

    37% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 7.4 · close

    36% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 7.3 · close

    35% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 4.2 · very close

    19% of canvas

  • The Annunciation by Israhel van Meckenem, the younger, n.d.

    The Annunciation

    Israhel van Meckenem, the younger

    ΔE 5.2 · close

    25% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 6.0 · close

    28% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 5.5 · close

    25% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 6.9 · close

    32% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 8.2 · close

    38% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.4 · close

    24% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 4.9 · very close

    21% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 4.3 · very close

    18% of canvas

  • Landscape by Jean Baptiste Camille Corot, 1865/70

    Landscape

    Jean Baptiste Camille Corot

    ΔE 6.1 · close

    26% of canvas

  • Portrait of Amalie Sebald by Johann Heusinger, 1814

    Portrait of Amalie Sebald

    Johann Heusinger

    ΔE 4.0 · very close

    16% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 12.2 · loosely related

    57% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 5.1 · close

    21% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 6.9 · close

    30% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 12.4 · loosely related

    57% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 7.9 · close

    34% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 3.4 · very close

    11% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 12.3 · loosely related

    55% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 6.3 · close

    25% of canvas

  • Ornament With Flower and Eight Wild Folk by Israhel van Meckenem, the younger, 1490/1500

    Ornament With Flower and Eight Wild Folk

    Israhel van Meckenem, the younger

    ΔE 6.5 · close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    15% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 6.9 · close

    27% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 4.7 · very close

    16% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 12.9 · loosely related

    57% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 14.3 · loosely related

    64% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.8 · very close

    11% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 12.1 · loosely related

    53% of canvas

  • William Douglas, Fourth Duke of Queensberry (1724–1810) by Samuel Percy, c. 1782

    William Douglas, Fourth Duke of Queensberry (1724–1810)

    Samuel Percy

    ΔE 4.8 · very close

    16% of canvas

  • Noah Smith by Ralph Earl, 1798

    Noah Smith

    Ralph Earl

    ΔE 7.5 · close

    29% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.6 · very close

    10% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 7.5 · close

    29% of canvas

What ΔE means, and what this does not measure