Skip to content
Chroma
#431c12

Ranked by perceptual distance

Works near #431c12

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 3.8 · very close

    52% of canvas

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 4.2 · very close

    52% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 2.3 · very close

    39% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 0.3 · near-exact

    19% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 10.1 · close

    64% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.0 · very close

    28% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 2.8 · very close

    21% of canvas

  • Self-Portrait by Walter Shirlaw, 1878

    Self-Portrait

    Walter Shirlaw

    ΔE 4.9 · very close

    30% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.1 · close

    51% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 3.4 · very close

    21% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 5.7 · close

    32% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 5.2 · close

    27% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 13.5 · loosely related

    68% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 6.4 · close

    32% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 7.9 · close

    40% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 7.4 · close

    33% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 7.9 · close

    36% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 8.3 · close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.5 · very close

    16% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 9.7 · close

    42% of canvas

  • Fragment by Spain, early 17th century

    Fragment

    Spain

    ΔE 11.0 · close

    48% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 4.7 · very close

    14% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 14.1 · loosely related

    61% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 5.7 · close

    19% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 7.7 · close

    29% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.7 · close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 9.7 · close

    37% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 7.5 · close

    26% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 6.2 · close

    18% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 9.0 · close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 12.2 · loosely related

    47% of canvas

  • Fragment by Italy, 1501-1550

    Fragment

    Italy

    ΔE 5.3 · close

    12% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 9.4 · close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.7 · close

    29% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 13.7 · loosely related

    53% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 6.5 · close

    16% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 4.6 · very close

    6% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 16.6 · loosely related

    66% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 10.8 · close

    37% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 6.3 · close

    14% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 10.2 · close

    34% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 5.6 · close

    11% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 6.3 · close

    13% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.6 · close

    24% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 8.3 · close

    22% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 9.6 · close

    28% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 7.4 · close

    17% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.2 · close

    16% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 9.3 · close

    26% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 8.8 · close

    24% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 11.9 · close

    38% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 11.9 · close

    38% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 13.2 · loosely related

    45% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 8.4 · close

    21% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 10.0 · close

    28% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 8.8 · close

    22% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 6.3 · close

    9% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 11.9 · close

    37% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 8.5 · close

    20% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 11.8 · close

    36% of canvas

What ΔE means, and what this does not measure