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#453c33

Ranked by perceptual distance

Works near #453c33

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 2.4 · very close

    66% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 8.4 · close

    86% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 4.0 · very close

    56% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 6.0 · close

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 6.5 · close

    57% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 7.9 · close

    64% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 6.5 · close

    55% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 6.9 · close

    57% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 8.8 · close

    61% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 4.1 · very close

    36% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 4.6 · very close

    37% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.7 · very close

    31% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 3.9 · very close

    32% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 5.4 · close

    39% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 5.1 · close

    37% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 4.6 · very close

    35% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 2.3 · very close

    23% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 5.3 · close

    38% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 4.8 · very close

    35% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 6.7 · close

    44% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 1.7 · near-exact

    19% of canvas

  • Guillaume de Brisacier by Antoine Masson, 1664

    Guillaume de Brisacier

    Antoine Masson

    ΔE 2.6 · very close

    23% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.6 · very close

    28% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 8.6 · close

    53% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 4.4 · very close

    32% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.9 · very close

    34% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.6 · close

    38% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 9.3 · close

    56% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 7.3 · close

    46% of canvas

  • Kylix (Drinking Cup) by Penthesilea Painter, about 460 BCE

    Kylix (Drinking Cup)

    Penthesilea Painter

    ΔE 0.3 · near-exact

    10% of canvas

  • Portrait of Edouard Molé by Robert Nanteuil, 1653

    Portrait of Edouard Molé

    Robert Nanteuil

    ΔE 2.8 · very close

    22% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 8.0 · close

    48% of canvas

  • Portrait of Rembrandt by Georg Friedrich Schmidt, 1771

    Portrait of Rembrandt

    Georg Friedrich Schmidt

    ΔE 4.1 · very close

    29% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 6.1 · close

    38% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.3 · close

    54% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 7.6 · close

    45% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 10.2 · close

    58% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 5.8 · close

    36% of canvas

  • Humming Birds, or A Dandy Trio by George Cruikshank, published July 15, 1819

    Humming Birds, or A Dandy Trio

    George Cruikshank

    ΔE 0.9 · near-exact

    11% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 6.7 · close

    40% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 6.7 · close

    39% of canvas

  • Gaspar Charrier, King's Secretary by Antoine Masson, n.d.

    Gaspar Charrier, King's Secretary

    Antoine Masson

    ΔE 4.3 · very close

    27% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 6.0 · close

    35% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 6.8 · close

    39% of canvas

  • The Marriage of the Virgin by Schelte Adamsz. Bolswert, 1625/59, printed after 1750

    The Marriage of the Virgin

    Schelte Adamsz. Bolswert

    ΔE 2.5 · very close

    17% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 4.7 · very close

    28% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 6.7 · close

    38% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 4.9 · very close

    29% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.8 · close

    54% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 6.0 · close

    34% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 3.5 · very close

    21% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 2.8 · very close

    18% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 3.3 · very close

    20% of canvas

  • Blackware Plate with Fish Incised in Interior by Paracas, 500–150 BCE

    Blackware Plate with Fish Incised in Interior

    Paracas

    ΔE 5.3 · close

    30% of canvas

  • Charger by Talavera de la Reina Potteries, 17th century

    Charger

    Talavera de la Reina Potteries

    ΔE 5.0 · very close

    28% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 4.4 · very close

    25% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 4.8 · very close

    27% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 2.8 · very close

    17% of canvas

  • Martin Vanden Bogaert Desjardins by Gérard Edelinck, n.d.

    Martin Vanden Bogaert Desjardins

    Gérard Edelinck

    ΔE 4.9 · very close

    28% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.6 · very close

    26% of canvas

What ΔE means, and what this does not measure