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#472b21

Ranked by perceptual distance

Works near #472b21

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 6.5 · close

    64% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 3.3 · very close

    40% of canvas

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 5.8 · close

    52% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 1.9 · near-exact

    32% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.5 · close

    52% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 0.2 · near-exact

    17% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 3.2 · very close

    32% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 3.4 · very close

    29% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.9 · very close

    28% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 11.6 · close

    66% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.1 · very close

    16% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 3.1 · very close

    21% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 7.5 · close

    42% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 6.5 · close

    37% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 6.9 · close

    38% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 16.8 · loosely related

    86% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.9 · close

    51% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.0 · very close

    16% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 7.5 · close

    39% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 3.3 · very close

    17% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 10.5 · close

    53% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 12.2 · loosely related

    61% of canvas

  • Self-Portrait by Walter Shirlaw, 1878

    Self-Portrait

    Walter Shirlaw

    ΔE 6.2 · close

    30% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 5.0 · close

    25% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 14.0 · loosely related

    68% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 7.1 · close

    34% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 7.3 · close

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 8.0 · close

    37% of canvas

  • Lacquer Tea Bowl 乾隆禦制雕漆盞 by China, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

    Lacquer Tea Bowl 乾隆禦制雕漆盞

    China

    ΔE 3.6 · very close

    14% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 7.0 · close

    31% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 7.5 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.6 · close

    24% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 6.4 · close

    27% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 3.8 · very close

    14% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.1 · close

    21% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 4.8 · very close

    19% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 5.1 · close

    20% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.6 · very close

    17% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.0 · very close

    13% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 6.7 · close

    26% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 5.4 · close

    19% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 5.1 · close

    18% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 5.7 · close

    20% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 9.0 · close

    36% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 6.9 · close

    26% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.4 · very close

    13% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.1 · close

    36% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 7.6 · close

    29% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 6.4 · close

    22% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 4.1 · very close

    10% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 7.2 · close

    25% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 7.9 · close

    29% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 5.4 · close

    16% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 5.5 · close

    15% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 7.6 · close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.0 · close

    13% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 4.8 · very close

    11% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 5.4 · close

    14% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 7.3 · close

    23% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 4.5 · very close

    9% of canvas

What ΔE means, and what this does not measure