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#48423a

Ranked by perceptual distance

Works near #48423a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 6.3 · close

    86% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 3.1 · very close

    66% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 3.0 · very close

    56% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 4.0 · very close

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 4.5 · very close

    57% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 4.8 · very close

    57% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 5.7 · close

    55% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 2.8 · very close

    37% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 4.5 · very close

    44% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 8.0 · close

    61% of canvas

  • Guillaume de Brisacier by Antoine Masson, 1664

    Guillaume de Brisacier

    Antoine Masson

    ΔE 0.8 · near-exact

    23% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 7.1 · close

    54% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 3.3 · very close

    34% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 3.8 · very close

    37% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 6.1 · close

    48% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 5.6 · close

    45% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 3.6 · very close

    35% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 4.4 · very close

    39% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 4.0 · very close

    37% of canvas

  • Portrait of Edouard Molé by Robert Nanteuil, 1653

    Portrait of Edouard Molé

    Robert Nanteuil

    ΔE 1.1 · near-exact

    22% of canvas

  • Gaspar Charrier, King's Secretary by Antoine Masson, n.d.

    Gaspar Charrier, King's Secretary

    Antoine Masson

    ΔE 2.1 · very close

    27% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 3.9 · very close

    36% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 1.5 · near-exact

    24% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 4.4 · very close

    38% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 7.8 · close

    54% of canvas

  • Antoine Turgot de Saint-Clair by Antoine Masson, 1668

    Antoine Turgot de Saint-Clair

    Antoine Masson

    ΔE 1.1 · near-exact

    20% of canvas

  • View of Ponte Lugano on the Anio, from Views of Rome by Giovanni Battista Piranesi, 1763, published 1800–07

    View of Ponte Lugano on the Anio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 0.3 · near-exact

    15% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 2.5 · very close

    26% of canvas

  • Portrait of Rembrandt by Georg Friedrich Schmidt, 1771

    Portrait of Rembrandt

    Georg Friedrich Schmidt

    ΔE 3.0 · very close

    29% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 5.3 · close

    40% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 1.6 · near-exact

    21% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 2.0 · near-exact

    22% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 5.2 · close

    38% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 4.1 · very close

    32% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 10.4 · close

    64% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 5.4 · close

    39% of canvas

  • The Marriage of the Virgin by Schelte Adamsz. Bolswert, 1625/59, printed after 1750

    The Marriage of the Virgin

    Schelte Adamsz. Bolswert

    ΔE 1.2 · near-exact

    17% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 2.9 · very close

    26% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.6 · close

    39% of canvas

  • A Summerland by David Lucas, 1831

    A Summerland

    David Lucas

    ΔE 2.6 · very close

    23% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 4.4 · very close

    32% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 1.5 · near-exact

    18% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 3.5 · very close

    28% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 4.8 · very close

    34% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 1.9 · near-exact

    19% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 2.6 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.4 · very close

    31% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 6.6 · close

    42% of canvas

  • Erasmus of Rotterdam by Albrecht Dürer, 1526

    Erasmus of Rotterdam

    Albrecht Dürer

    ΔE 1.8 · near-exact

    18% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.2 · very close

    29% of canvas

  • Commemorating Ferdinand Dutert, Architect by Jules Clément Chaplain, c. 1880/92

    Commemorating Ferdinand Dutert, Architect

    Jules Clément Chaplain

    ΔE 6.6 · close

    41% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 7.5 · close

    46% of canvas

  • Portrait Bust of Gustave Adolphe Hirn by Louis Oscar Roty, c. 1880/92

    Portrait Bust of Gustave Adolphe Hirn

    Louis Oscar Roty

    ΔE 3.8 · very close

    26% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 2.9 · very close

    21% of canvas

  • Autumnal Sun Set by David Lucas, 1831

    Autumnal Sun Set

    David Lucas

    ΔE 2.8 · very close

    21% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 9.9 · close

    56% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 5.0 · close

    32% of canvas

  • Hyacinthe Rigaud by Gérard Edelinck, 1698

    Hyacinthe Rigaud

    Gérard Edelinck

    ΔE 3.5 · very close

    24% of canvas

  • Old Sarum by David Lucas, 1832

    Old Sarum

    David Lucas

    ΔE 3.3 · very close

    23% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 3.9 · very close

    25% of canvas

What ΔE means, and what this does not measure