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#49372d

Ranked by perceptual distance

Works near #49372d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 5.8 · close

    64% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 6.6 · close

    66% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 11.9 · close

    86% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 4.1 · very close

    40% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 4.5 · very close

    37% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 9.0 · close

    56% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 1.7 · near-exact

    20% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.9 · very close

    26% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 9.3 · close

    57% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 8.7 · close

    53% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 9.7 · close

    57% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 5.1 · close

    33% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.2 · very close

    29% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.3 · very close

    28% of canvas

  • Kylix (Drinking Cup) by Ancient Greek, 520-500 BCE

    Kylix (Drinking Cup)

    Ancient Greek

    ΔE 0.3 · near-exact

    8% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 5.4 · close

    34% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    29% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 10.2 · close

    57% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 10.9 · close

    61% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 3.9 · very close

    25% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 5.6 · close

    32% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.3 · close

    55% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.4 · close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.5 · close

    31% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 2.6 · very close

    15% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 4.6 · very close

    25% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.9 · close

    36% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 8.2 · close

    42% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 4.6 · very close

    24% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 12.1 · loosely related

    61% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 6.9 · close

    34% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 8.0 · close

    38% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 7.6 · close

    36% of canvas

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 10.8 · close

    52% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 11.8 · close

    56% of canvas

  • Lacquer Tea Bowl 乾隆禦制雕漆盞 by China, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

    Lacquer Tea Bowl 乾隆禦制雕漆盞

    China

    ΔE 3.4 · very close

    14% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 8.1 · close

    38% of canvas

  • Life Cast of the Hands and Face of Abraham Lincoln by Leonard Wells Volk, Cast in plaster 1860; cast in bronze by 1888

    Life Cast of the Hands and Face of Abraham Lincoln

    Leonard Wells Volk

    ΔE 2.8 · very close

    11% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 6.3 · close

    29% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 2.8 · very close

    11% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 2.1 · very close

    7% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 5.0 · very close

    21% of canvas

  • Portrait of a Man by Antonio Maria Esquivel, 1843

    Portrait of a Man

    Antonio Maria Esquivel

    ΔE 12.3 · loosely related

    58% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 6.4 · close

    28% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 7.1 · close

    32% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 5.0 · very close

    21% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 4.5 · very close

    18% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 3.0 · very close

    10% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 8.1 · close

    35% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 5.2 · close

    20% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 11.5 · close

    52% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.1 · close

    20% of canvas

  • Mask by Ancient Greek, 3rd-1st century BCE

    Mask

    Ancient Greek

    ΔE 1.7 · near-exact

    2% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.7 · very close

    17% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 5.2 · close

    19% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 10.5 · close

    46% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.9 · very close

    17% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 9.0 · close

    38% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 8.4 · close

    35% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 6.1 · close

    23% of canvas

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