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#4a3f2d

Ranked by perceptual distance

Works near #4a3f2d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 6.3 · close

    66% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 10.9 · close

    86% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 1.7 · near-exact

    36% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 6.7 · close

    56% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 3.1 · very close

    38% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 0.2 · near-exact

    23% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 7.8 · close

    57% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 9.2 · close

    64% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.9 · very close

    31% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 4.3 · very close

    37% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 8.4 · close

    57% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 1.3 · near-exact

    21% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 1.2 · near-exact

    20% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.1 · very close

    34% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 0.6 · near-exact

    17% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 8.7 · close

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.5 · very close

    31% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 4.9 · very close

    37% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.4 · very close

    28% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 2.1 · very close

    21% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 2.3 · very close

    20% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.0 · close

    38% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 4.8 · very close

    32% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 3.7 · very close

    25% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 2.6 · very close

    20% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 1.4 · near-exact

    14% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 9.4 · close

    53% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 3.9 · very close

    25% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.6 · close

    54% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.0 · close

    55% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.8 · close

    54% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 5.3 · close

    31% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 5.1 · close

    30% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.4 · close

    36% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 4.6 · very close

    27% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 4.4 · very close

    26% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 5.0 · close

    28% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 3.4 · very close

    19% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 5.6 · close

    30% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 1.9 · near-exact

    12% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 4.8 · very close

    26% of canvas

  • The Cottage by the Roadside, Stormy Sky by Jules Dupré, c. 1860

    The Cottage by the Roadside, Stormy Sky

    Jules Dupré

    ΔE 3.3 · very close

    19% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 3.7 · very close

    20% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.8 · very close

    15% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 4.3 · very close

    23% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 7.1 · close

    37% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 1.9 · near-exact

    11% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 1.7 · near-exact

    9% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.9 · very close

    15% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 2.4 · very close

    12% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 4.8 · very close

    24% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 6.0 · close

    30% of canvas

  • Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.9 · very close

    19% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 1.4 · near-exact

    7% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 4.6 · very close

    23% of canvas

  • Band (From Headdress) by Austria, c. 1800

    Band (From Headdress)

    Austria

    ΔE 3.8 · very close

    18% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 6.6 · close

    32% of canvas

  • Head of a Man by Ancient Greek, 3rd-2nd century BCE

    Head of a Man

    Ancient Greek

    ΔE 2.2 · very close

    11% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.3 · very close

    10% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 6.7 · close

    32% of canvas

What ΔE means, and what this does not measure