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#4b551e

Ranked by perceptual distance

Works near #4b551e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 0.1 · near-exact

    30% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 1.6 · near-exact

    32% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 8.7 · close

    55% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.3 · close

    41% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 5.3 · close

    35% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 6.2 · close

    38% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 4.3 · very close

    24% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 3.0 · very close

    17% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 6.2 · close

    32% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.4 · close

    28% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.1 · close

    31% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.9 · close

    34% of canvas

  • Fragment by Italy or Spain, c. 1700

    Fragment

    Italy or Spain

    ΔE 5.3 · close

    24% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 6.5 · close

    30% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.0 · close

    32% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 5.6 · close

    21% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 9.9 · close

    42% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 5.6 · close

    19% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 12.5 · loosely related

    53% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 7.7 · close

    28% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 19.6 · loosely related

    86% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 13.1 · loosely related

    54% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 7.2 · close

    23% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.2 · close

    22% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1600/50

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 7.7 · close

    24% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 7.0 · close

    19% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 7.8 · close

    21% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 10.2 · close

    33% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 14.6 · loosely related

    54% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 9.7 · close

    29% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 7.8 · close

    17% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 11.5 · close

    35% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 10.1 · close

    28% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 11.7 · close

    33% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 12.1 · loosely related

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 13.5 · loosely related

    41% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 7.2 · close

    9% of canvas

  • Barks Fleeing Before the Storm by Jules Dupré, 1870–75

    Barks Fleeing Before the Storm

    Jules Dupré

    ΔE 11.8 · close

    33% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 7.6 · close

    11% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 10.1 · close

    23% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 10.4 · close

    25% of canvas

  • A Mounted Officer by Jean Baptiste Édouard Detaille, 1877

    A Mounted Officer

    Jean Baptiste Édouard Detaille

    ΔE 8.5 · close

    15% of canvas

  • Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 8.2 · close

    13% of canvas

  • View of the Port of St.Paul, Paris by Charles Melchior Descourtis, 1784

    View of the Port of St.Paul, Paris

    Charles Melchior Descourtis

    ΔE 8.3 · close

    13% of canvas

  • Pasture in Normandy by Constant Troyon, 1852

    Pasture in Normandy

    Constant Troyon

    ΔE 11.4 · close

    28% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.1 · close

    17% of canvas

  • Fragment by Italy, early 17th century

    Fragment

    Italy

    ΔE 12.5 · loosely related

    33% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 9.7 · close

    19% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.0 · close

    10% of canvas

  • Mishima, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mishima, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 7.7 · close

    8% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 12.4 · loosely related

    31% of canvas

  • The Church Enthroned by Daniel Hopfer, I, 1490/1536

    The Church Enthroned

    Daniel Hopfer, I

    ΔE 10.1 · close

    20% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 8.9 · close

    13% of canvas

  • Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 9.4 · close

    16% of canvas

  • Fragment by Italy, 1601/50

    Fragment

    Italy

    ΔE 9.7 · close

    17% of canvas

  • Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 8.4 · close

    11% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 11.8 · close

    27% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.0 · close

    23% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 9.7 · close

    17% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.0 · close

    3% of canvas

What ΔE means, and what this does not measure