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#4d2522

Ranked by perceptual distance

Works near #4d2522

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 4.0 · very close

    52% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.7 · very close

    51% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.3 · close

    52% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 1.9 · near-exact

    28% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 4.9 · very close

    39% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 11.3 · close

    68% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 11.6 · close

    64% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 0.1 · near-exact

    6% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 3.0 · very close

    19% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 5.7 · close

    32% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 2.8 · very close

    18% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.7 · very close

    16% of canvas

  • Fragment by Spain, early 17th century

    Fragment

    Spain

    ΔE 9.1 · close

    48% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 6.0 · close

    32% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 4.3 · very close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 9.6 · close

    47% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 7.5 · close

    36% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 8.7 · close

    40% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 5.0 · close

    21% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 4.8 · very close

    19% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.8 · very close

    13% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 10.2 · close

    45% of canvas

  • Self-Portrait by Walter Shirlaw, 1878

    Self-Portrait

    Walter Shirlaw

    ΔE 7.4 · close

    30% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 9.2 · close

    38% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 5.5 · close

    20% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 7.3 · close

    28% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 6.6 · close

    24% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 9.6 · close

    37% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 7.2 · close

    25% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.1 · close

    29% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.8 · close

    17% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 8.0 · close

    28% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.7 · close

    26% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.0 · close

    17% of canvas

  • Fragment by Italy, 1501-1550

    Fragment

    Italy

    ΔE 5.0 · very close

    12% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 10.2 · close

    38% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 6.1 · close

    17% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 19.9 · loosely related

    86% of canvas

  • Alice by William Merritt Chase, 1892

    Alice

    William Merritt Chase

    ΔE 14.9 · loosely related

    61% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 16.0 · loosely related

    66% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 8.9 · close

    29% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 10.5 · close

    37% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 9.4 · close

    31% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 7.8 · close

    23% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 11.0 · close

    39% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 6.4 · close

    16% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 4.4 · very close

    6% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 10.9 · close

    38% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 7.4 · close

    20% of canvas

  • Fragment by France, 1750/1800

    Fragment

    France

    ΔE 9.5 · close

    30% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 11.9 · close

    42% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.7 · close

    31% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 5.3 · close

    9% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 9.0 · close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 10.6 · close

    35% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 8.0 · close

    22% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 8.1 · close

    22% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 9.0 · close

    26% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 7.6 · close

    19% of canvas

What ΔE means, and what this does not measure