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#4e5b2e

Ranked by perceptual distance

Works near #4e5b2e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 6.2 · close

    55% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 0.2 · near-exact

    23% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 1.6 · near-exact

    24% of canvas

  • Fragment by Italy or Spain, c. 1700

    Fragment

    Italy or Spain

    ΔE 1.9 · near-exact

    24% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.5 · very close

    30% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 4.4 · very close

    30% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 9.3 · close

    53% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.0 · close

    32% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.3 · close

    41% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 3.1 · very close

    20% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 7.6 · close

    42% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 7.1 · close

    36% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 5.1 · close

    23% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.3 · close

    28% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 4.3 · very close

    17% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 18.5 · loosely related

    86% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 12.1 · loosely related

    54% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 5.3 · close

    19% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.9 · close

    22% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 8.8 · close

    34% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 8.5 · close

    32% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.4 · close

    32% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 13.5 · loosely related

    54% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.6 · close

    19% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1600/50

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 7.6 · close

    24% of canvas

  • Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.4 · close

    13% of canvas

  • Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.4 · close

    16% of canvas

  • Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.7 · close

    11% of canvas

  • Mishima, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mishima, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.2 · close

    8% of canvas

  • Man with Lance Riding through the Snow by Adolphe Schreyer, c. 1880

    Man with Lance Riding through the Snow

    Adolphe Schreyer

    ΔE 10.1 · close

    32% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 9.6 · close

    29% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 10.8 · close

    35% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 9.4 · close

    28% of canvas

  • Barks Fleeing Before the Storm by Jules Dupré, 1870–75

    Barks Fleeing Before the Storm

    Jules Dupré

    ΔE 10.3 · close

    33% of canvas

  • Panel by France, c. 1738/42

    Panel

    France

    ΔE 9.4 · close

    28% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 8.3 · close

    21% of canvas

  • Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 6.7 · close

    13% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 8.6 · close

    22% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 7.0 · close

    13% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 10.9 · close

    33% of canvas

  • Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 7.8 · close

    17% of canvas

  • View of the Port of St.Paul, Paris by Charles Melchior Descourtis, 1784

    View of the Port of St.Paul, Paris

    Charles Melchior Descourtis

    ΔE 7.0 · close

    13% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.2 · close

    9% of canvas

  • Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.7 · close

    10% of canvas

  • Fragment by Italy, 1601/50

    Fragment

    Italy

    ΔE 8.2 · close

    17% of canvas

  • Seki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Seki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 7.2 · close

    13% of canvas

  • Fragment by France, 1645/75

    Fragment

    France

    ΔE 9.0 · close

    22% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 10.2 · close

    27% of canvas

  • Panel by Probably France, 1711/13

    Panel

    Probably France

    ΔE 11.3 · close

    32% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 11.9 · close

    35% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 8.4 · close

    17% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 23.2 · loosely related

    91% of canvas

  • A Mounted Officer by Jean Baptiste Édouard Detaille, 1877

    A Mounted Officer

    Jean Baptiste Édouard Detaille

    ΔE 7.9 · close

    15% of canvas

  • St. George on Horseback, Killing the Dragon by Master Allaert Claesz, n.d.

    St. George on Horseback, Killing the Dragon

    Master Allaert Claesz

    ΔE 10.8 · close

    29% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 9.7 · close

    23% of canvas

  • Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" by Utagawa Hiroshige, c. 1832/34

    Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)"

    Utagawa Hiroshige

    ΔE 9.6 · close

    22% of canvas

  • The Church Enthroned by Daniel Hopfer, I, 1490/1536

    The Church Enthroned

    Daniel Hopfer, I

    ΔE 9.1 · close

    20% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.3 · close

    6% of canvas

  • Two Warriors, One with a Winged Genie on His Helmet by School of Tommaso Finiguerra, 1475/1500

    Two Warriors, One with a Winged Genie on His Helmet

    School of Tommaso Finiguerra

    ΔE 10.9 · close

    28% of canvas

  • The Saviour by Israhel van Meckenem, the younger, 1490/1500

    The Saviour

    Israhel van Meckenem, the younger

    ΔE 9.9 · close

    23% of canvas

What ΔE means, and what this does not measure