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#524c42

Ranked by perceptual distance

Works near #524c42

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 6.0 · close

    86% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 2.5 · very close

    57% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 2.7 · very close

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 3.6 · very close

    57% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 6.5 · close

    66% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 1.8 · near-exact

    37% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 5.9 · close

    56% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 2.6 · very close

    37% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 2.1 · very close

    34% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 1.8 · near-exact

    32% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 4.2 · very close

    44% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 0.2 · near-exact

    22% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 7.2 · close

    54% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 4.8 · very close

    42% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 2.6 · very close

    30% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 4.4 · very close

    39% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 2.7 · very close

    30% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 2.3 · very close

    28% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 6.5 · close

    48% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 7.6 · close

    54% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 3.5 · very close

    32% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 4.3 · very close

    36% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 1.5 · near-exact

    22% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 8.2 · close

    55% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 8.8 · close

    58% of canvas

  • A Young Man Caressing the Young Hostess by Cornelis Pietersz. Bega, c. 1650

    A Young Man Caressing the Young Hostess

    Cornelis Pietersz. Bega

    ΔE 0.9 · near-exact

    18% of canvas

  • Battle of the Naked Men by Domenico Campagnola, 1517

    Battle of the Naked Men

    Domenico Campagnola

    ΔE 1.7 · near-exact

    22% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 6.4 · close

    45% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 2.6 · very close

    26% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 2.2 · very close

    24% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 6.7 · close

    46% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 9.6 · close

    61% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 3.0 · very close

    27% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 1.9 · near-exact

    21% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 8.3 · close

    53% of canvas

  • The Arch of Septimus Severus by Luigi Rossini, 1820

    The Arch of Septimus Severus

    Luigi Rossini

    ΔE 1.0 · near-exact

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    38% of canvas

  • Portrait Bust of Gustave Adolphe Hirn by Louis Oscar Roty, c. 1880/92

    Portrait Bust of Gustave Adolphe Hirn

    Louis Oscar Roty

    ΔE 3.0 · very close

    26% of canvas

  • Gaspar Charrier, King's Secretary by Antoine Masson, n.d.

    Gaspar Charrier, King's Secretary

    Antoine Masson

    ΔE 3.1 · very close

    27% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 1.7 · near-exact

    20% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 3.7 · very close

    29% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 4.2 · very close

    31% of canvas

  • Stoke by Neyland, Suffolk by David Lucas, 1831

    Stoke by Neyland, Suffolk

    David Lucas

    ΔE 2.0 · near-exact

    20% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.9 · very close

    30% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 2.1 · very close

    21% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 1.4 · near-exact

    17% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 5.1 · close

    35% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 4.6 · very close

    33% of canvas

  • Anne of Austria, Queen of France by Robert Nanteuil, 1660

    Anne of Austria, Queen of France

    Robert Nanteuil

    ΔE 1.4 · near-exact

    17% of canvas

  • Peasant Couple Dancing by Albrecht Dürer, 1514

    Peasant Couple Dancing

    Albrecht Dürer

    ΔE 1.0 · near-exact

    13% of canvas

  • Alpine Club by Louis Oscar Roty, c. 1880/92

    Alpine Club

    Louis Oscar Roty

    ΔE 3.2 · very close

    24% of canvas

  • Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.0 · near-exact

    18% of canvas

  • Jan de Wael by Anthony van Dyck, 1630/33

    Jan de Wael

    Anthony van Dyck

    ΔE 2.1 · very close

    18% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 9.5 · close

    54% of canvas

  • Interior, Peasant House in Haute-Garonne by Rodolphe Bresdin, 1858

    Interior, Peasant House in Haute-Garonne

    Rodolphe Bresdin

    ΔE 3.3 · very close

    23% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 4.5 · very close

    29% of canvas

  • Crispin by Gérard Edelinck, 1682

    Crispin

    Gérard Edelinck

    ΔE 3.2 · very close

    22% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.4 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · very close

    31% of canvas

  • Head of a Woman by Ancient Greek, 3rd-2nd century BCE

    Head of a Woman

    Ancient Greek

    ΔE 1.5 · near-exact

    13% of canvas

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