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#525252

Ranked by perceptual distance

Works near #525252

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 1.7 · near-exact

    86% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 3.5 · very close

    57% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 1.4 · near-exact

    46% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 3.1 · very close

    53% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 3.9 · very close

    57% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 4.5 · very close

    58% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 4.4 · very close

    57% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 4.0 · very close

    54% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 2.9 · very close

    48% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 0.6 · near-exact

    35% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 2.0 · very close

    42% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 0.3 · near-exact

    32% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 2.9 · very close

    44% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 6.5 · close

    61% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 3.7 · very close

    45% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 0.4 · near-exact

    28% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 2.6 · very close

    39% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 1.4 · near-exact

    29% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 1.5 · near-exact

    29% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 1.4 · near-exact

    29% of canvas

  • Fragment by Italy, Late 15th century

    Fragment

    Italy

    ΔE 0.1 · near-exact

    21% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 1.3 · near-exact

    28% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 2.3 · very close

    32% of canvas

  • Fragment (Band) by Nasca, 700-900

    Fragment (Band)

    Nasca

    ΔE 0.1 · near-exact

    21% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 9.2 · close

    66% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 0.6 · near-exact

    22% of canvas

  • Half Shawl by France, probably Bayeux, 1855/65

    Half Shawl

    France, probably Bayeux

    ΔE 0.0 · near-exact

    19% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 1.9 · near-exact

    26% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 7.9 · close

    55% of canvas

  • Panel by England or France, c. 1707

    Panel

    England or France

    ΔE 0.6 · near-exact

    19% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 8.3 · close

    56% of canvas

  • Parasol by France, c.1870

    Parasol

    France

    ΔE 0.4 · near-exact

    17% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 0.1 · near-exact

    15% of canvas

  • Fan by France, Empire period, 19th century

    Fan

    France

    ΔE 1.0 · near-exact

    19% of canvas

  • Cap by Russia, 19th century

    Cap

    Russia

    ΔE 0.5 · near-exact

    16% of canvas

  • Sauceboat by China, c. 1750

    Sauceboat

    China

    ΔE 1.0 · near-exact

    19% of canvas

  • Tassels by Peru, Possibly central coast, 1000-1476

    Tassels

    Peru, Possibly central coast

    ΔE 0.1 · near-exact

    14% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 3.2 · very close

    29% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 2.0 · very close

    23% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 2.1 · very close

    23% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.7 · loosely related

    91% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 8.4 · close

    54% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 1.9 · near-exact

    21% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 3.3 · very close

    28% of canvas

  • Pharmacy Jar by Italy, probably Savona, c. 1740

    Pharmacy Jar

    Italy, probably Savona

    ΔE 1.0 · near-exact

    16% of canvas

  • Border by Belgium, Flanders, probably Antwerp, 1825/50

    Border

    Belgium, Flanders, probably Antwerp

    ΔE 0.5 · near-exact

    13% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 3.8 · very close

    29% of canvas

  • Anne Harman Lyney by Joachim Smith, 1797

    Anne Harman Lyney

    Joachim Smith

    ΔE 1.5 · near-exact

    18% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 2.6 · very close

    23% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 5.7 · close

    38% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 0.6 · near-exact

    13% of canvas

  • Single Spout Blackware Vessel in the Form of a Duck by Chimú, 1000–1400

    Single Spout Blackware Vessel in the Form of a Duck

    Chimú

    ΔE 3.1 · very close

    25% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 1.7 · near-exact

    18% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 2.9 · very close

    24% of canvas

  • Bell Pull by England, 1825/75

    Bell Pull

    England

    ΔE 1.5 · near-exact

    16% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 4.7 · very close

    33% of canvas

  • Soup Plate by China, c. 1780

    Soup Plate

    China

    ΔE 1.4 · near-exact

    16% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.2 · very close

    29% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 4.0 · very close

    28% of canvas

  • Fragment (Dress Fabric) by France, 18th century

    Fragment (Dress Fabric)

    France

    ΔE 2.3 · very close

    19% of canvas

What ΔE means, and what this does not measure