Skip to content
Chroma
#534935

Ranked by perceptual distance

Works near #534935

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 10.4 · close

    86% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 8.4 · close

    66% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 2.6 · very close

    36% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 7.0 · close

    57% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 3.2 · very close

    37% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 7.2 · close

    57% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 3.1 · very close

    34% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 1.3 · near-exact

    25% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 1.6 · near-exact

    26% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 2.6 · very close

    30% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 3.9 · very close

    37% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 8.1 · close

    57% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 8.0 · close

    56% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 3.1 · very close

    31% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 2.3 · very close

    25% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    42% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 3.6 · very close

    32% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 2.9 · very close

    27% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 4.6 · very close

    35% of canvas

  • Wounded Eurydice by Jean Baptiste Camille Corot, 1868–70

    Wounded Eurydice

    Jean Baptiste Camille Corot

    ΔE 2.9 · very close

    25% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 3.7 · very close

    29% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 5.5 · close

    38% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.6 · very close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.2 · very close

    31% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 8.8 · close

    54% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.2 · close

    54% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 1.6 · near-exact

    16% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 1.3 · near-exact

    14% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.6 · very close

    20% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 5.1 · close

    32% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 3.0 · very close

    21% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 1.8 · near-exact

    15% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 3.4 · very close

    23% of canvas

  • A Man of Feeling by Thomas Rowlandson, published December 2, 1811

    A Man of Feeling

    Thomas Rowlandson

    ΔE 1.1 · near-exact

    11% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 4.2 · very close

    26% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.6 · close

    33% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 3.1 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.6 · very close

    27% of canvas

  • Interior, Peasant House in Haute-Garonne by Rodolphe Bresdin, 1858

    Interior, Peasant House in Haute-Garonne

    Rodolphe Bresdin

    ΔE 3.8 · very close

    23% of canvas

  • The Valley of Les Puits-Noir by Gustave Courbet, 1868

    The Valley of Les Puits-Noir

    Gustave Courbet

    ΔE 2.6 · very close

    17% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 5.3 · close

    30% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 4.7 · very close

    26% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 3.5 · very close

    20% of canvas

  • Head and Forelegs of Lion by Ancient Greek, 2nd-1st century BCE ?

    Head and Forelegs of Lion

    Ancient Greek

    ΔE 1.9 · near-exact

    12% of canvas

  • Torso of a Nude Woman by Ancient Greek, 3rd-2nd century BCE

    Torso of a Nude Woman

    Ancient Greek

    ΔE 2.2 · very close

    13% of canvas

  • Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" by James McNeill Whistler, 1872–73

    Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

    James McNeill Whistler

    ΔE 3.8 · very close

    21% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 5.2 · close

    28% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.0 · close

    41% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.1 · close

    32% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 3.8 · very close

    20% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 4.0 · very close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.7 · very close

    15% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 1.2 · near-exact

    7% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 12.6 · loosely related

    64% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 7.1 · close

    36% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.2 · very close

    17% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 0.1 · near-exact

    1% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 8.7 · close

    44% of canvas

  • Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.8 · very close

    19% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 5.0 · very close

    25% of canvas

What ΔE means, and what this does not measure