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#534d47

Ranked by perceptual distance

Works near #534d47

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 4.4 · very close

    86% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 0.3 · near-exact

    57% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 1.0 · near-exact

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 1.4 · near-exact

    57% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 6.6 · close

    66% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 2.6 · very close

    44% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 3.1 · very close

    42% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 6.3 · close

    56% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 4.9 · very close

    48% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 7.7 · close

    61% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 3.5 · very close

    39% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 5.1 · close

    46% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 5.1 · close

    45% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 7.7 · close

    58% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 7.0 · close

    53% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 7.7 · close

    55% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 4.1 · very close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    38% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 3.5 · very close

    32% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 4.5 · very close

    37% of canvas

  • Gaspar Charrier, King's Secretary by Antoine Masson, n.d.

    Gaspar Charrier, King's Secretary

    Antoine Masson

    ΔE 2.5 · very close

    27% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 8.1 · close

    54% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 1.6 · near-exact

    21% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 8.2 · close

    54% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.3 · very close

    34% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 3.4 · very close

    29% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 4.8 · very close

    35% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 4.3 · very close

    32% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 2.3 · very close

    22% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.9 · very close

    30% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 5.5 · close

    37% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 4.2 · very close

    30% of canvas

  • A Lock on the Stour, Suffolk by David Lucas, 1831

    A Lock on the Stour, Suffolk

    David Lucas

    ΔE 2.7 · very close

    22% of canvas

  • A Young Man Caressing the Young Hostess by Cornelis Pietersz. Bega, c. 1650

    A Young Man Caressing the Young Hostess

    Cornelis Pietersz. Bega

    ΔE 1.8 · near-exact

    18% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 0.9 · near-exact

    13% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 2.2 · very close

    20% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.0 · very close

    24% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.0 · very close

    23% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 5.2 · close

    35% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 6.2 · close

    40% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.0 · close

    54% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 4.0 · very close

    28% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 3.7 · very close

    26% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 5.0 · very close

    33% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 4.1 · very close

    28% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 6.1 · close

    38% of canvas

  • Anne of Austria, Queen of France by Robert Nanteuil, 1660

    Anne of Austria, Queen of France

    Robert Nanteuil

    ΔE 1.9 · near-exact

    17% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 4.4 · very close

    29% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 4.7 · very close

    30% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 6.5 · close

    39% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 6.0 · close

    36% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.1 · close

    32% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 2.3 · very close

    17% of canvas

  • Blackware Vessel in the Form of a Llama by Chimú, 1200–1450

    Blackware Vessel in the Form of a Llama

    Chimú

    ΔE 1.9 · near-exact

    15% of canvas

  • Single Spout Blackware Vessel in the Form of a Duck by Chimú, 1000–1400

    Single Spout Blackware Vessel in the Form of a Duck

    Chimú

    ΔE 4.0 · very close

    25% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 3.3 · very close

    21% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 4.7 · very close

    28% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 5.6 · close

    32% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 6.9 · close

    38% of canvas

  • Antoine Turgot de Saint-Clair by Antoine Masson, 1668

    Antoine Turgot de Saint-Clair

    Antoine Masson

    ΔE 3.2 · very close

    20% of canvas

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