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#552e29

Ranked by perceptual distance

Works near #552e29

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.5 · close

    52% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.7 · close

    51% of canvas

  • Fragment by Italy, Venice, 16th century

    Fragment

    Italy, Venice

    ΔE 6.3 · close

    52% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 9.9 · close

    68% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 0.1 · near-exact

    18% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.2 · very close

    28% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 4.3 · very close

    32% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 1.6 · near-exact

    19% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 11.5 · close

    64% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 6.8 · close

    39% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 8.1 · close

    45% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.3 · very close

    24% of canvas

  • Fragment by Spain, early 17th century

    Fragment

    Spain

    ΔE 9.2 · close

    48% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 9.0 · close

    47% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.0 · very close

    16% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.1 · close

    26% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 5.5 · close

    28% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.6 · very close

    13% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 7.6 · close

    37% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 4.6 · very close

    21% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 8.3 · close

    40% of canvas

  • Fragment by Nasca, 200 CE-900 CE

    Fragment

    Nasca

    ΔE 6.8 · close

    32% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 7.1 · close

    33% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.0 · very close

    17% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 4.5 · very close

    20% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 5.0 · very close

    20% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 18.4 · loosely related

    86% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 9.1 · close

    38% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 5.9 · close

    22% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 4.7 · very close

    16% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 2.8 · very close

    6% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 9.0 · close

    37% of canvas

  • Fire Fans by France, 17th century

    Fire Fans

    France

    ΔE 3.4 · very close

    9% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 9.6 · close

    39% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 8.9 · close

    36% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 15.0 · loosely related

    66% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.3 · close

    17% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 9.7 · close

    38% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.4 · close

    17% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 7.8 · close

    28% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 8.1 · close

    29% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 8.5 · close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.4 · close

    35% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 6.3 · close

    19% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 4.8 · very close

    11% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.3 · close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.5 · close

    29% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 7.0 · close

    22% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 8.2 · close

    28% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 7.9 · close

    26% of canvas

  • Fragment by Italy, 1501-1550

    Fragment

    Italy

    ΔE 5.2 · close

    12% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 8.2 · close

    26% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 8.5 · close

    28% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 7.9 · close

    25% of canvas

  • Self-Portrait by Walter Shirlaw, 1878

    Self-Portrait

    Walter Shirlaw

    ΔE 9.1 · close

    30% of canvas

  • Lacquer Tea Bowl 乾隆禦制雕漆盞 by China, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

    Lacquer Tea Bowl 乾隆禦制雕漆盞

    China

    ΔE 6.1 · close

    14% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 8.0 · close

    24% of canvas

  • Card Table by Artist unknown, c. 1790

    Card Table

    Artist unknown

    ΔE 4.6 · very close

    7% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.1 · close

    24% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.6 · close

    26% of canvas

What ΔE means, and what this does not measure