Skip to content
Chroma
#574e21

Ranked by perceptual distance

Works near #574e21

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 0.2 · near-exact

    28% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.3 · very close

    32% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.1 · very close

    32% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 4.1 · very close

    36% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.5 · very close

    31% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.4 · very close

    34% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 3.9 · very close

    28% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 5.9 · close

    35% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 3.5 · very close

    21% of canvas

  • Pasture in Normandy by Constant Troyon, 1852

    Pasture in Normandy

    Constant Troyon

    ΔE 4.9 · very close

    28% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 7.9 · close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.7 · very close

    20% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 1.8 · near-exact

    9% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.1 · loosely related

    86% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.8 · close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.6 · close

    32% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.8 · close

    42% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 7.4 · close

    35% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 4.6 · very close

    19% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 4.3 · very close

    17% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 7.6 · close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.5 · close

    22% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 7.8 · close

    34% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.6 · very close

    17% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 7.9 · close

    33% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.4 · close

    30% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 8.9 · close

    38% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 3.6 · very close

    11% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 8.6 · close

    35% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.5 · very close

    15% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.8 · close

    21% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.1 · close

    33% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 6.2 · close

    23% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 10.0 · close

    41% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.4 · close

    23% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 9.3 · close

    38% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 9.5 · close

    38% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 12.6 · loosely related

    54% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 5.8 · close

    19% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 3.5 · very close

    8% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 6.0 · close

    20% of canvas

  • Landscape with Ruined Arch near Water, and Mountains in Distance by Style of Giovanni Francesco Grimaldi, n.d.

    Landscape with Ruined Arch near Water, and Mountains in Distance

    Style of Giovanni Francesco Grimaldi

    ΔE 5.3 · close

    17% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 6.9 · close

    25% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 6.1 · close

    20% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 7.3 · close

    26% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 7.5 · close

    27% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 6.6 · close

    22% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 7.3 · close

    25% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 6.5 · close

    22% of canvas

  • Portrait of Amalie Sebald by Johann Heusinger, 1814

    Portrait of Amalie Sebald

    Johann Heusinger

    ΔE 5.5 · close

    16% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 8.6 · close

    31% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 15.6 · loosely related

    66% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 6.1 · close

    18% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 4.7 · very close

    11% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 10.9 · close

    42% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 6.4 · close

    19% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 6.3 · close

    18% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 8.6 · close

    30% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 6.3 · close

    18% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 6.0 · close

    17% of canvas

What ΔE means, and what this does not measure