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#58483f

Ranked by perceptual distance

Works near #58483f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 8.9 · close

    86% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 5.4 · close

    57% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 7.7 · close

    66% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 6.0 · close

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 6.0 · close

    57% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    38% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 9.0 · close

    56% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 9.8 · close

    61% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.8 · very close

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.3 · very close

    31% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 11.2 · close

    64% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 7.3 · close

    44% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.4 · very close

    28% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.7 · close

    42% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 6.6 · close

    36% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 2.2 · very close

    14% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 9.1 · close

    48% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 7.8 · close

    42% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.5 · close

    55% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, 640-625 BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 1.1 · near-exact

    8% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.2 · close

    49% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 7.1 · close

    37% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 3.2 · very close

    17% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 0.2 · near-exact

    2% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 300 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 2.7 · very close

    14% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 4.0 · very close

    21% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 6.7 · close

    34% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 7.3 · close

    37% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.4 · close

    32% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 4.5 · very close

    21% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 9.3 · close

    45% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 9.6 · close

    46% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 8.3 · close

    39% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 12.1 · loosely related

    58% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 5.3 · close

    24% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 4.4 · very close

    19% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 3.5 · very close

    14% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.6 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    19% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 7.8 · close

    35% of canvas

  • Gaspar Charrier, King's Secretary by Antoine Masson, n.d.

    Gaspar Charrier, King's Secretary

    Antoine Masson

    ΔE 6.3 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.4 · close

    27% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 4.9 · very close

    20% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 3.4 · very close

    12% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.3 · very close

    11% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 8.8 · close

    39% of canvas

  • Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.3 · very close

    6% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 7.1 · close

    30% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 5.0 · close

    20% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 8.5 · close

    37% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 8.7 · close

    38% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 4.7 · very close

    18% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 11.9 · close

    53% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 5.5 · close

    21% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 5.9 · close

    22% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 7.9 · close

    32% of canvas

  • Pair of Lappets (Joined) by France, Bayeux, 1850s/60s

    Pair of Lappets (Joined)

    France, Bayeux

    ΔE 7.2 · close

    28% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.3 · close

    19% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.1 · close

    48% of canvas

  • Snuff Box by Vienna, Austria, 19th century

    Snuff Box

    Vienna, Austria

    ΔE 2.2 · very close

    3% of canvas

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