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#59493c

Ranked by perceptual distance

Works near #59493c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 9.7 · close

    86% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 5.7 · close

    57% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 6.3 · close

    57% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 8.1 · close

    66% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 6.7 · close

    57% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.1 · very close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    42% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.8 · very close

    38% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.2 · very close

    33% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 9.1 · close

    56% of canvas

  • Valley of the Yealme by Unknown artist, 19th century

    Valley of the Yealme

    Unknown artist

    ΔE 5.2 · close

    36% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.0 · close

    49% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.7 · very close

    32% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 11.3 · close

    64% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 6.0 · close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.6 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.2 · very close

    27% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 5.7 · close

    34% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 300 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 1.7 · near-exact

    14% of canvas

  • Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 0.2 · near-exact

    6% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 6.8 · close

    39% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 6.4 · close

    37% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 7.9 · close

    44% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 3.4 · very close

    21% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.5 · near-exact

    11% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 11.4 · close

    61% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 3.3 · very close

    20% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.1 · close

    33% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 3.5 · very close

    20% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 5.7 · close

    30% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.6 · close

    29% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 8.3 · close

    42% of canvas

  • The Music Lesson by Gerard ter Borch the Younger, c. 1670

    The Music Lesson

    Gerard ter Borch the Younger

    ΔE 3.6 · very close

    18% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 2.9 · very close

    14% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 2.4 · very close

    12% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 11.2 · close

    55% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.1 · very close

    20% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 4.5 · very close

    21% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 7.8 · close

    38% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 5.0 · close

    24% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 10.0 · close

    48% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 5.6 · close

    26% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 4.7 · very close

    21% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 10.2 · close

    48% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 4.9 · very close

    21% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 6.4 · close

    29% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 5.4 · close

    23% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 7.2 · close

    32% of canvas

  • A Heath by David Lucas, 1831

    A Heath

    David Lucas

    ΔE 5.3 · close

    22% of canvas

  • River Stour, Suffolk by David Lucas, 1830, published 1831

    River Stour, Suffolk

    David Lucas

    ΔE 5.0 · close

    21% of canvas

  • Fragment by Japan, Meiji period (1868–1912), 1775/1800

    Fragment

    Japan

    ΔE 5.1 · close

    21% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 12.4 · loosely related

    58% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 5.3 · close

    22% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 6.1 · close

    26% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.7 · very close

    14% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.8 · very close

    15% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 10.2 · close

    46% of canvas

  • Jan de Wael by Anthony van Dyck, 1630/33

    Jan de Wael

    Anthony van Dyck

    ΔE 4.5 · very close

    18% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 10.1 · close

    45% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 3.7 · very close

    13% of canvas

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