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#5a5629

Ranked by perceptual distance

Works near #5a5629

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 0.2 · near-exact

    28% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 3.5 · very close

    36% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.7 · very close

    32% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 3.5 · very close

    28% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 1.9 · near-exact

    20% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 4.7 · very close

    32% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.2 · close

    32% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.8 · close

    34% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 6.1 · close

    35% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 2.7 · very close

    17% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.4 · close

    30% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 5.4 · close

    30% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 7.9 · close

    42% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 4.0 · very close

    21% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 3.7 · very close

    19% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 7.0 · close

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.2 · close

    41% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 11.0 · close

    55% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.2 · loosely related

    86% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 2.0 · near-exact

    9% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.6 · close

    33% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 4.5 · very close

    22% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 4.4 · very close

    19% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.0 · very close

    17% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 8.5 · close

    38% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.7 · close

    23% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 6.8 · close

    28% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 5.9 · close

    23% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 8.4 · close

    35% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 4.3 · very close

    15% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 2.9 · very close

    8% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 6.0 · close

    23% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.8 · very close

    17% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 12.3 · loosely related

    54% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 5.1 · close

    17% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 7.2 · close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.9 · very close

    10% of canvas

  • Fragment by Italy or Spain, c. 1700

    Fragment

    Italy or Spain

    ΔE 6.8 · close

    24% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 5.5 · close

    17% of canvas

  • The Church Enthroned by Daniel Hopfer, I, 1490/1536

    The Church Enthroned

    Daniel Hopfer, I

    ΔE 6.1 · close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 10.7 · close

    42% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.2 · close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.7 · close

    22% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.1 · close

    24% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 9.0 · close

    33% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 5.4 · close

    14% of canvas

  • View of Port St. Bernard by Charles Melchior Descourtis, 1784

    View of Port St. Bernard

    Charles Melchior Descourtis

    ΔE 4.9 · very close

    12% of canvas

  • Pasture in Normandy by Constant Troyon, 1852

    Pasture in Normandy

    Constant Troyon

    ΔE 8.2 · close

    28% of canvas

  • View of the Port of St.Paul, Paris by Charles Melchior Descourtis, 1784

    View of the Port of St.Paul, Paris

    Charles Melchior Descourtis

    ΔE 5.1 · close

    13% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 8.1 · close

    27% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 7.0 · close

    21% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 9.3 · close

    33% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 6.6 · close

    19% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 13.6 · loosely related

    54% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 9.2 · close

    31% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 8.1 · close

    25% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 6.6 · close

    18% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 6.7 · close

    18% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 9.8 · close

    34% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 9.3 · close

    31% of canvas

What ΔE means, and what this does not measure