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#5c4031

Ranked by perceptual distance

Works near #5c4031

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 14.2 · loosely related

    86% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 10.3 · close

    64% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.5 · close

    48% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 2.9 · very close

    25% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 11.2 · close

    66% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 5.7 · close

    37% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 2.9 · very close

    22% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.3 · close

    49% of canvas

  • Amphoriskos (Container for Oil) by Ancient Greek, 600-575 BCE

    Amphoriskos (Container for Oil)

    Ancient Greek

    ΔE 0.2 · near-exact

    8% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 6.6 · close

    39% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.7 · very close

    26% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 5.7 · close

    31% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.3 · close

    29% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 13.2 · loosely related

    68% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 10.9 · close

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.1 · close

    42% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 3.7 · very close

    20% of canvas

  • Braid by France or England, 1650/75

    Braid

    France or England

    ΔE 7.7 · close

    40% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.4 · very close

    13% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 5.4 · close

    28% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 10.2 · close

    52% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 1.9 · near-exact

    10% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    24% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 6.8 · close

    34% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 7.2 · close

    35% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 11.6 · close

    57% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.8 · very close

    13% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 11.6 · close

    57% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.6 · very close

    22% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.5 · close

    36% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 5.9 · close

    28% of canvas

  • Mastoid (Drinking Cup) by Caylus Painter, about 500-480 BCE

    Mastoid (Drinking Cup)

    Caylus Painter

    ΔE 1.7 · near-exact

    7% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 2.9 · very close

    13% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    29% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 6.8 · close

    31% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 7.2 · close

    33% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 6.9 · close

    31% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 6.0 · close

    26% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 4.9 · very close

    21% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 4.6 · very close

    19% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.1 · close

    37% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.6 · close

    24% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 3.9 · very close

    15% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.0 · close

    25% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 8.2 · close

    37% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 5.1 · close

    21% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.0 · very close

    20% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 2.3 · very close

    7% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.0 · very close

    15% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.3 · close

    31% of canvas

  • Three Medals Depicting Lincoln by Artist unknown, 1865–94

    Three Medals Depicting Lincoln

    Artist unknown

    ΔE 3.2 · very close

    10% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.7 · very close

    17% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.7 · very close

    12% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 4.5 · very close

    16% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.2 · close

    23% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 10.4 · close

    45% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 4.3 · very close

    14% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 4.5 · very close

    15% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.3 · very close

    13% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 6.1 · close

    22% of canvas

What ΔE means, and what this does not measure