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#5d4015

Ranked by perceptual distance

Works near #5d4015

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.6 · very close

    41% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.2 · very close

    37% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 1.3 · near-exact

    18% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.4 · close

    48% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 0.2 · near-exact

    11% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 4.4 · very close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.8 · close

    42% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.5 · very close

    25% of canvas

  • Unfinished Study of Sheep by Constant Troyon, c. 1850

    Unfinished Study of Sheep

    Constant Troyon

    ΔE 3.9 · very close

    27% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.3 · close

    34% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 6.4 · close

    39% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 1.8 · near-exact

    15% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 5.4 · close

    34% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 4.4 · very close

    27% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.2 · close

    49% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.4 · very close

    20% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 3.6 · very close

    20% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 3.2 · very close

    17% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 3.1 · very close

    16% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 4.2 · very close

    21% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 4.4 · very close

    21% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 4.7 · very close

    22% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 3.3 · very close

    14% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 4.5 · very close

    20% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 5.0 · very close

    22% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 3.9 · very close

    17% of canvas

  • Pasture in Normandy by Constant Troyon, 1852

    Pasture in Normandy

    Constant Troyon

    ΔE 6.2 · close

    28% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.2 · close

    23% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 7.3 · close

    33% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 4.3 · very close

    18% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 13.8 · loosely related

    64% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 4.7 · very close

    18% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 7.8 · close

    33% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 5.1 · close

    19% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 2.6 · very close

    6% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 5.9 · close

    22% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 8.0 · close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.8 · close

    21% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 18.8 · loosely related

    86% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 6.0 · close

    22% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.9 · close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.9 · close

    21% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 10.1 · close

    41% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.6 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.5 · close

    27% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 7.7 · close

    28% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.4 · very close

    11% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 15.3 · loosely related

    66% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.9 · close

    18% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 5.0 · very close

    14% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 7.6 · close

    27% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 6.6 · close

    21% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 5.5 · close

    16% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 4.0 · very close

    8% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 5.3 · close

    14% of canvas

  • Landscape with Ruined Arch near Water, and Mountains in Distance by Style of Giovanni Francesco Grimaldi, n.d.

    Landscape with Ruined Arch near Water, and Mountains in Distance

    Style of Giovanni Francesco Grimaldi

    ΔE 5.9 · close

    17% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 6.4 · close

    18% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 7.3 · close

    22% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 5.1 · close

    11% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 10.4 · close

    38% of canvas

What ΔE means, and what this does not measure