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#5d5642

Ranked by perceptual distance

Works near #5d5642

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 10.4 · close

    86% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 1.5 · near-exact

    31% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 7.1 · close

    57% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 1.7 · near-exact

    29% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 3.1 · very close

    35% of canvas

  • Coast Scene by Reinier Nooms, called Zeeman, c. 1655

    Coast Scene

    Reinier Nooms, called Zeeman

    ΔE 0.4 · near-exact

    22% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 7.5 · close

    57% of canvas

  • Souvenir of Tuscany by Jean Baptiste Camille Corot, c. 1845

    Souvenir of Tuscany

    Jean Baptiste Camille Corot

    ΔE 1.3 · near-exact

    22% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 8.5 · close

    57% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 4.7 · very close

    37% of canvas

  • Venus and Cupid by Jacopo Francia, n.d.

    Venus and Cupid

    Jacopo Francia

    ΔE 2.6 · very close

    27% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 4.4 · very close

    35% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 3.6 · very close

    30% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 2.6 · very close

    25% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 2.3 · very close

    24% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 2.5 · very close

    24% of canvas

  • Moses and the Brazen Serpent by François Verdier, n.d.

    Moses and the Brazen Serpent

    François Verdier

    ΔE 0.9 · near-exact

    16% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 3.6 · very close

    29% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 4.1 · very close

    31% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.5 · very close

    23% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 2.5 · very close

    23% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.3 · close

    41% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 4.1 · very close

    30% of canvas

  • Saint James the Greater by Master F. P., n.d.

    Saint James the Greater

    Master F. P.

    ΔE 1.1 · near-exact

    14% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.1 · close

    54% of canvas

  • St. George on Horseback, Killing the Dragon by Master Allaert Claesz, n.d.

    St. George on Horseback, Killing the Dragon

    Master Allaert Claesz

    ΔE 4.2 · very close

    29% of canvas

  • Two warriors, one seated asleep on a foreground rock, from Figurine series by Salvator Rosa, n.d.

    Two warriors, one seated asleep on a foreground rock, from Figurine series

    Salvator Rosa

    ΔE 0.9 · near-exact

    12% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 11.6 · close

    66% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 3.8 · very close

    26% of canvas

  • The Bull by Paulus Potter, 1650

    The Bull

    Paulus Potter

    ΔE 1.8 · near-exact

    16% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.5 · close

    54% of canvas

  • Orphrey Band by France, 16th century

    Orphrey Band

    France

    ΔE 2.6 · very close

    20% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 10.3 · close

    58% of canvas

  • Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.0 · near-exact

    11% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.4 · close

    42% of canvas

  • Noah Smith by Ralph Earl, 1798

    Noah Smith

    Ralph Earl

    ΔE 2.3 · very close

    17% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 6.2 · close

    37% of canvas

  • Jan Lievens by Lucas Emil Vorsterman, 1630/45

    Jan Lievens

    Lucas Emil Vorsterman

    ΔE 1.9 · near-exact

    15% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.9 · very close

    25% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 6.2 · close

    36% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 5.4 · close

    32% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 4.2 · very close

    26% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 5.5 · close

    32% of canvas

  • Portrait Bust of Eugene Guillaume, Sculptor by Jules Clément Chaplain, 1886

    Portrait Bust of Eugene Guillaume, Sculptor

    Jules Clément Chaplain

    ΔE 2.7 · very close

    18% of canvas

  • Saint George and the Dragon by Giovanni Ponticelli, n.d.

    Saint George and the Dragon

    Giovanni Ponticelli

    ΔE 0.9 · near-exact

    9% of canvas

  • Old Sarum by David Lucas, 1832

    Old Sarum

    David Lucas

    ΔE 3.0 · very close

    20% of canvas

  • Statuette of an Unidentified Object (perhaps an Apple or Pomegranate) by Ancient Greek, 4th-3rd century BCE ?

    Statuette of an Unidentified Object (perhaps an Apple or Pomegranate)

    Ancient Greek

    ΔE 1.3 · near-exact

    11% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.7 · very close

    28% of canvas

  • The Sixth Knot by Albrecht Dürer, c. 1507

    The Sixth Knot

    Albrecht Dürer

    ΔE 4.3 · very close

    26% of canvas

  • These are the joys of horseback racing, plate 411 from Actualités by Honoré-Victorin Daumier, 1857

    These are the joys of horseback racing, plate 411 from Actualités

    Honoré-Victorin Daumier

    ΔE 0.8 · near-exact

    8% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.4 · loosely related

    91% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 3.4 · very close

    21% of canvas

  • The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)" by Torii Kiyonaga, c. 1782

    The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)"

    Torii Kiyonaga

    ΔE 1.3 · near-exact

    11% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 5.2 · close

    30% of canvas

  • Frieze with Tritons and Nymphs by Girolamo Mocetto, 1515/20

    Frieze with Tritons and Nymphs

    Girolamo Mocetto

    ΔE 4.3 · very close

    25% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 2.9 · very close

    18% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 2.8 · very close

    18% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.9 · near-exact

    13% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 10.6 · close

    56% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 4.9 · very close

    28% of canvas

What ΔE means, and what this does not measure