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#613d1c

Ranked by perceptual distance

Works near #613d1c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 2.4 · very close

    37% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.8 · very close

    48% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 0.2 · near-exact

    18% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 2.7 · very close

    27% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 1.9 · near-exact

    21% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 5.6 · close

    39% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 4.1 · very close

    31% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 6.2 · close

    41% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.1 · very close

    25% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 2.6 · very close

    22% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.0 · very close

    23% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 1.3 · near-exact

    14% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.3 · close

    49% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 6.0 · close

    37% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.6 · close

    42% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 460 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 1.4 · near-exact

    9% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 3.2 · very close

    17% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 12.7 · loosely related

    64% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.8 · very close

    14% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 3.6 · very close

    16% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.4 · very close

    20% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.2 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    24% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 7.3 · close

    34% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 4.3 · very close

    18% of canvas

  • Unfinished Study of Sheep by Constant Troyon, c. 1850

    Unfinished Study of Sheep

    Constant Troyon

    ΔE 6.1 · close

    27% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 7.0 · close

    31% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 4.3 · very close

    17% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 8.1 · close

    35% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 3.3 · very close

    11% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.4 · close

    22% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 11.4 · close

    52% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    15% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 5.3 · close

    21% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 5.6 · close

    22% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 3.7 · very close

    12% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.7 · close

    22% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 2.4 · very close

    6% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 6.8 · close

    28% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 3.0 · very close

    8% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 18.7 · loosely related

    86% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 6.4 · close

    25% of canvas

  • The Family Concert by Jan Steen, 1666

    The Family Concert

    Jan Steen

    ΔE 2.6 · very close

    5% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.9 · close

    21% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.7 · close

    21% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 8.2 · close

    33% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 6.0 · close

    22% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 3.5 · very close

    9% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 4.9 · very close

    15% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 15.6 · loosely related

    68% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.1 · very close

    6% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 15.1 · loosely related

    66% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 6.1 · close

    20% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 8.8 · close

    33% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 4.4 · very close

    11% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 6.2 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.6 · close

    26% of canvas

  • Helena Tromper Du Bois by Anthony van Dyck, c. 1631

    Helena Tromper Du Bois

    Anthony van Dyck

    ΔE 7.2 · close

    23% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 6.8 · close

    21% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 7.1 · close

    23% of canvas

What ΔE means, and what this does not measure