Skip to content
Chroma
#62421d

Ranked by perceptual distance

Works near #62421d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.1 · close

    48% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.0 · very close

    41% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.7 · very close

    37% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 2.7 · very close

    31% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 4.6 · very close

    39% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 2.4 · very close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.1 · very close

    25% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.0 · close

    42% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.4 · close

    49% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 1.1 · near-exact

    17% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 5.0 · very close

    34% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.1 · close

    34% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 2.1 · very close

    18% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 1.9 · near-exact

    16% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 3.2 · very close

    22% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 2.4 · very close

    18% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 3.0 · very close

    21% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 2.0 · near-exact

    14% of canvas

  • A Mother Feeding her Child (The Happy Mother) by Willem van Mieris, 1707

    A Mother Feeding her Child (The Happy Mother)

    Willem van Mieris

    ΔE 0.2 · near-exact

    6% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 2.3 · very close

    15% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.9 · very close

    23% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.7 · very close

    20% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 3.9 · very close

    20% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 4.0 · very close

    21% of canvas

  • Unfinished Study of Sheep by Constant Troyon, c. 1850

    Unfinished Study of Sheep

    Constant Troyon

    ΔE 5.5 · close

    27% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.3 · very close

    11% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 4.7 · very close

    22% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.9 · close

    33% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 7.0 · close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.7 · very close

    21% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 5.8 · close

    27% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 4.0 · very close

    17% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.2 · close

    22% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 13.6 · loosely related

    64% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 4.5 · very close

    18% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.0 · close

    26% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.0 · very close

    20% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 5.4 · close

    22% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 18.3 · loosely related

    86% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 5.3 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.7 · close

    27% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 8.3 · close

    35% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 3.7 · very close

    11% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.5 · close

    21% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 5.1 · close

    18% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 9.8 · close

    41% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 4.3 · very close

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.0 · close

    22% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 5.6 · close

    19% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 5.5 · close

    18% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 15.1 · loosely related

    66% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 3.6 · very close

    8% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 6.5 · close

    22% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 5.2 · close

    16% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 9.7 · close

    38% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.0 · close

    24% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 460 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 3.9 · very close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.1 · close

    30% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.5 · very close

    11% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.9 · close

    33% of canvas

What ΔE means, and what this does not measure