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#634729

Ranked by perceptual distance

Works near #634729

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 0.1 · near-exact

    31% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 2.2 · very close

    39% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.6 · very close

    42% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.8 · very close

    48% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 5.3 · close

    49% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.5 · very close

    41% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 0.8 · near-exact

    22% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 3.6 · very close

    34% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.0 · near-exact

    25% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.4 · very close

    33% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 3.5 · very close

    27% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.9 · very close

    33% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.6 · close

    37% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 1.7 · near-exact

    16% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 2.4 · very close

    20% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 1.9 · near-exact

    17% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 3.0 · very close

    22% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 4.1 · very close

    27% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 2.9 · very close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    27% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 16.2 · loosely related

    86% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.8 · very close

    23% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 4.6 · very close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.2 · close

    34% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.6 · very close

    21% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.4 · very close

    20% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.7 · close

    35% of canvas

  • Flask in the Shape of a Date by Ancient Roman, 1st century

    Flask in the Shape of a Date

    Ancient Roman

    ΔE 4.0 · very close

    22% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.7 · very close

    20% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.0 · close

    41% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 2.5 · very close

    14% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.6 · very close

    24% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 3.9 · very close

    21% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.6 · very close

    18% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 3.7 · very close

    18% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.5 · close

    32% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.2 · very close

    15% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.0 · very close

    19% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 3.9 · very close

    18% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 3.5 · very close

    16% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 3.4 · very close

    15% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 13.6 · loosely related

    66% of canvas

  • Norway and Denmark by Charles George Lewis, 1866

    Norway and Denmark

    Charles George Lewis

    ΔE 13.3 · loosely related

    64% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 4.2 · very close

    18% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.7 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.5 · close

    30% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 4.4 · very close

    18% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 6.3 · close

    27% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 5.5 · close

    23% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 5.6 · close

    23% of canvas

  • Life Cast of the Hands and Face of Abraham Lincoln by Leonard Wells Volk, Cast in plaster 1860; cast in bronze by 1888

    Life Cast of the Hands and Face of Abraham Lincoln

    Leonard Wells Volk

    ΔE 4.1 · very close

    15% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 12.5 · loosely related

    57% of canvas

  • Pastoral Landscape with Ruins by Adriaen van de Velde, 1664

    Pastoral Landscape with Ruins

    Adriaen van de Velde

    ΔE 4.9 · very close

    19% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.1 · very close

    14% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 5.5 · close

    21% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.0 · very close

    13% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 12.8 · loosely related

    57% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.7 · very close

    16% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 4.8 · very close

    17% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.0 · close

    18% of canvas

What ΔE means, and what this does not measure