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#635a2d

Ranked by perceptual distance

Works near #635a2d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 0.3 · near-exact

    17% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.8 · very close

    28% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.1 · close

    41% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 5.2 · close

    36% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.7 · very close

    33% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 5.2 · close

    35% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 2.9 · very close

    22% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 4.3 · very close

    28% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 2.0 · very close

    15% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.6 · very close

    23% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.4 · close

    32% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 3.2 · very close

    19% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.4 · very close

    20% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 7.7 · close

    42% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 1.3 · near-exact

    8% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 5.3 · close

    27% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.6 · very close

    17% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 3.0 · very close

    14% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.8 · close

    33% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 6.1 · close

    30% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.5 · loosely related

    86% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.3 · very close

    20% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.7 · very close

    16% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 2.5 · very close

    9% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 3.0 · very close

    11% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.7 · close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 9.4 · close

    42% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 5.1 · close

    21% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 2.7 · very close

    9% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 12.0 · loosely related

    55% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.5 · close

    22% of canvas

  • View of Port St. Bernard by Charles Melchior Descourtis, 1784

    View of Port St. Bernard

    Charles Melchior Descourtis

    ΔE 3.4 · very close

    12% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.3 · close

    21% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 7.9 · close

    34% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 7.9 · close

    34% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.5 · close

    32% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.5 · very close

    17% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 5.5 · close

    21% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 6.0 · close

    23% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 6.9 · close

    27% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 5.2 · close

    18% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 8.3 · close

    34% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 8.6 · close

    35% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.8 · very close

    16% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 8.2 · close

    33% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 5.7 · close

    20% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 3.6 · very close

    10% of canvas

  • The Church Enthroned by Daniel Hopfer, I, 1490/1536

    The Church Enthroned

    Daniel Hopfer, I

    ΔE 5.8 · close

    20% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 7.7 · close

    29% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 9.0 · close

    35% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 7.7 · close

    28% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.2 · close

    25% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 10.4 · close

    41% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 5.5 · close

    17% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 6.5 · close

    21% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 8.6 · close

    31% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 5.9 · close

    18% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.1 · close

    13% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 6.3 · close

    19% of canvas

What ΔE means, and what this does not measure