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#664f2c

Ranked by perceptual distance

Works near #664f2c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 0.4 · near-exact

    34% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.9 · very close

    42% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.0 · very close

    41% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 5.7 · close

    49% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 4.6 · very close

    41% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 4.2 · very close

    39% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.0 · very close

    33% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.1 · very close

    33% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 2.3 · very close

    26% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 2.2 · very close

    23% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 1.6 · near-exact

    20% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 3.9 · very close

    31% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.3 · close

    48% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.1 · very close

    21% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 4.5 · very close

    33% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 1.8 · near-exact

    18% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.2 · very close

    24% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 2.1 · very close

    18% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 2.3 · very close

    20% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.5 · close

    34% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 4.4 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    27% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 2.7 · very close

    19% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 16.2 · loosely related

    86% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 1.8 · near-exact

    14% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 4.5 · very close

    27% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 1.9 · near-exact

    14% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 4.4 · very close

    26% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.2 · very close

    24% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 5.7 · close

    32% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 6.4 · close

    35% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.2 · very close

    19% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 3.9 · very close

    22% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.0 · close

    38% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 3.8 · very close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    30% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.6 · very close

    20% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 5.1 · close

    26% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.6 · very close

    18% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.2 · close

    25% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 4.3 · very close

    20% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 3.4 · very close

    16% of canvas

  • Portrait of a Boy by Eugène Carrière, 1886

    Portrait of a Boy

    Eugène Carrière

    ΔE 4.7 · very close

    21% of canvas

  • Landscape (The Lock) by John Constable, c. 1820–25

    Landscape (The Lock)

    John Constable

    ΔE 3.8 · very close

    16% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.0 · close

    27% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.8 · very close

    15% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.2 · very close

    18% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 4.8 · very close

    20% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.5 · close

    24% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.3 · close

    22% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 2.8 · very close

    9% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 6.3 · close

    26% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    17% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 6.2 · close

    25% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 2.5 · very close

    7% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 12.5 · loosely related

    57% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.8 · close

    23% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 6.6 · close

    27% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 4.5 · very close

    16% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 12.6 · loosely related

    57% of canvas

What ΔE means, and what this does not measure