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#66592f

Ranked by perceptual distance

Works near #66592f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 4.3 · very close

    41% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 4.0 · very close

    35% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 0.2 · near-exact

    15% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.5 · very close

    23% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 4.9 · very close

    33% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 3.6 · very close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.6 · very close

    20% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.0 · very close

    27% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 2.2 · very close

    17% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.3 · close

    33% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.4 · very close

    28% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 4.5 · very close

    28% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 3.5 · very close

    22% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.1 · close

    30% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.7 · close

    42% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 1.3 · near-exact

    9% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.9 · close

    32% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 6.5 · close

    34% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 5.5 · close

    29% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.0 · loosely related

    86% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 1.5 · near-exact

    8% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.6 · close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.7 · very close

    17% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 4.6 · very close

    21% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 7.1 · close

    34% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 4.0 · very close

    18% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 8.7 · close

    41% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 8.8 · close

    42% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.6 · very close

    21% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.7 · close

    25% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 10.3 · close

    49% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 3.5 · very close

    14% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 5.3 · close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.1 · close

    22% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.0 · very close

    17% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 4.5 · very close

    19% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 2.9 · very close

    11% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 4.1 · very close

    16% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.5 · close

    38% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.9 · very close

    19% of canvas

  • View of Port St. Bernard by Charles Melchior Descourtis, 1784

    View of Port St. Bernard

    Charles Melchior Descourtis

    ΔE 3.4 · very close

    12% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 6.8 · close

    29% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 5.1 · close

    21% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 4.7 · very close

    18% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 5.9 · close

    23% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 5.3 · close

    20% of canvas

  • Landscape by Théodore Rousseau, c. 1850

    Landscape

    Théodore Rousseau

    ΔE 3.2 · very close

    9% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 7.7 · close

    31% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.8 · very close

    16% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 3.7 · very close

    11% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.8 · close

    26% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 7.1 · close

    27% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 7.4 · close

    28% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 7.0 · close

    26% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 7.3 · close

    27% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 7.7 · close

    30% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.3 · close

    17% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 8.6 · close

    34% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 8.9 · close

    35% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 4.6 · very close

    14% of canvas

What ΔE means, and what this does not measure