Skip to content
Chroma
#675d4a

Ranked by perceptual distance

Works near #675d4a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 11.4 · close

    86% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 1.3 · near-exact

    29% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 2.5 · very close

    31% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 7.9 · close

    57% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 3.8 · very close

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 5.1 · close

    41% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.1 · loosely related

    91% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 8.4 · close

    57% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 2.0 · near-exact

    24% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.5 · close

    49% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 3.1 · very close

    27% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 3.5 · very close

    29% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.4 · very close

    23% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 9.4 · close

    57% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.1 · very close

    25% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 3.5 · very close

    26% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.5 · very close

    22% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 3.3 · very close

    25% of canvas

  • Frieze with Tritons and Nymphs by Girolamo Mocetto, 1515/20

    Frieze with Tritons and Nymphs

    Girolamo Mocetto

    ΔE 3.3 · very close

    25% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 3.0 · very close

    24% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 9.9 · close

    58% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 3.9 · very close

    27% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.9 · very close

    27% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 5.0 · very close

    32% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 3.1 · very close

    23% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 3.6 · very close

    25% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 4.0 · very close

    26% of canvas

  • The Bull by Paulus Potter, 1650

    The Bull

    Paulus Potter

    ΔE 1.8 · near-exact

    16% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 3.4 · very close

    23% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 6.4 · close

    38% of canvas

  • Orphrey Band by France, 16th century

    Orphrey Band

    France

    ΔE 2.7 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.3 · close

    42% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 6.2 · close

    36% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 3.9 · very close

    24% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 1.7 · near-exact

    13% of canvas

  • The Second Wise Virgin by Martin Schongauer, 1480-91

    The Second Wise Virgin

    Martin Schongauer

    ΔE 0.3 · near-exact

    6% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 4.3 · very close

    26% of canvas

  • The Adoration of the Magi by Unknown artist, 1503/13

    The Adoration of the Magi

    Unknown artist

    ΔE 1.9 · near-exact

    14% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.8 · very close

    24% of canvas

  • Battle of the Sea Gods: Right Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of the Sea Gods: Right Half of a Frieze

    Andrea Mantegna

    ΔE 2.8 · very close

    19% of canvas

  • The Unlucky Attempt by Thomas Parr, n.d.

    The Unlucky Attempt

    Thomas Parr

    ΔE 3.4 · very close

    21% of canvas

  • Woman Carrying Water Jar by Raphael, 17th century

    Woman Carrying Water Jar

    Raphael

    ΔE 2.9 · very close

    19% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 3.9 · very close

    24% of canvas

  • Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.4 · very close

    16% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 2.8 · very close

    18% of canvas

  • Souvenir of Tuscany by Jean Baptiste Camille Corot, c. 1845

    Souvenir of Tuscany

    Jean Baptiste Camille Corot

    ΔE 3.5 · very close

    22% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 3.1 · very close

    19% of canvas

  • Coast Scene by Reinier Nooms, called Zeeman, c. 1655

    Coast Scene

    Reinier Nooms, called Zeeman

    ΔE 3.6 · very close

    22% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 4.6 · very close

    27% of canvas

  • Battle of the Naked Men by Domenico Campagnola, 1517

    Battle of the Naked Men

    Domenico Campagnola

    ΔE 4.8 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.7 · near-exact

    12% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.5 · very close

    16% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.1 · close

    49% of canvas

  • Lucretia by Jacopo Francia, c. 1510

    Lucretia

    Jacopo Francia

    ΔE 3.9 · very close

    22% of canvas

  • Old Sarum by David Lucas, 1832

    Old Sarum

    David Lucas

    ΔE 3.3 · very close

    20% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 1.8 · near-exact

    12% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 3.5 · very close

    20% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 1.1 · near-exact

    8% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.4 · very close

    20% of canvas

What ΔE means, and what this does not measure