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#685c3f

Ranked by perceptual distance

Works near #685c3f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 0.1 · near-exact

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 2.6 · very close

    41% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 0.6 · near-exact

    27% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 2.8 · very close

    29% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 2.1 · very close

    26% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 14.2 · loosely related

    86% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 1.8 · near-exact

    23% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 2.3 · very close

    25% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 1.2 · near-exact

    18% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 1.6 · near-exact

    18% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.3 · very close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.7 · close

    42% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 5.2 · close

    34% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 3.3 · very close

    23% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.6 · close

    33% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 5.7 · close

    33% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 2.8 · very close

    18% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 5.0 · very close

    29% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 5.0 · very close

    29% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.0 · close

    49% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 3.6 · very close

    22% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 4.5 · very close

    26% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 4.1 · very close

    24% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 10.8 · close

    57% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.6 · loosely related

    91% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 5.0 · close

    27% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 5.0 · close

    27% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 4.0 · very close

    22% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 5.0 · very close

    27% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.4 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.0 · very close

    12% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 5.1 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.5 · close

    29% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.4 · very close

    24% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.2 · close

    32% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 3.3 · very close

    18% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 4.4 · very close

    23% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 11.2 · close

    57% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 7.0 · close

    36% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.0 · near-exact

    10% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 2.7 · very close

    14% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 8.2 · close

    42% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.8 · close

    49% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 5.3 · close

    27% of canvas

  • Coast Scene by Reinier Nooms, called Zeeman, c. 1655

    Coast Scene

    Reinier Nooms, called Zeeman

    ΔE 4.4 · very close

    22% of canvas

  • The Church Enthroned by Daniel Hopfer, I, 1490/1536

    The Church Enthroned

    Daniel Hopfer, I

    ΔE 3.9 · very close

    20% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 6.8 · close

    34% of canvas

  • The Bull by Paulus Potter, 1650

    The Bull

    Paulus Potter

    ΔE 3.2 · very close

    16% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 5.0 · very close

    24% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 4.3 · very close

    20% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 4.0 · very close

    19% of canvas

  • Head of a Woman by Ancient Greek, 3rd-1st century BCE

    Head of a Woman

    Ancient Greek

    ΔE 2.4 · very close

    10% of canvas

  • Frieze with Tritons and Nymphs by Girolamo Mocetto, 1515/20

    Frieze with Tritons and Nymphs

    Girolamo Mocetto

    ΔE 5.4 · close

    25% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 8.0 · close

    38% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.0 · very close

    23% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 3.7 · very close

    17% of canvas

  • Face of a Man or a Woman by Ancient Greek, 4th-3rd century BCE

    Face of a Man or a Woman

    Ancient Greek

    ΔE 1.7 · near-exact

    7% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.9 · very close

    17% of canvas

  • Miracle of the Loaves and Fishes by Tintoretto, n.d.

    Miracle of the Loaves and Fishes

    Tintoretto

    ΔE 2.4 · very close

    10% of canvas

  • View of Port St. Bernard by Charles Melchior Descourtis, 1784

    View of Port St. Bernard

    Charles Melchior Descourtis

    ΔE 2.9 · very close

    12% of canvas

What ΔE means, and what this does not measure