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#6a5c4a

Ranked by perceptual distance

Works near #6a5c4a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 11.8 · close

    86% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 8.0 · close

    57% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 5.0 · very close

    41% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 3.2 · very close

    32% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 8.4 · close

    57% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.3 · loosely related

    91% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 6.9 · close

    49% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.1 · close

    49% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 1.8 · near-exact

    23% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.2 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    38% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 3.4 · very close

    29% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 3.8 · very close

    31% of canvas

  • Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 0.3 · near-exact

    13% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.2 · close

    42% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 5.0 · very close

    35% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 9.3 · close

    57% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 2.7 · very close

    23% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 3.6 · very close

    27% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 2.8 · very close

    23% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 3.3 · very close

    25% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 3.9 · very close

    27% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 3.9 · very close

    26% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.2 · very close

    23% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 2.7 · very close

    20% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 3.9 · very close

    26% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.9 · near-exact

    16% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 4.6 · very close

    29% of canvas

  • Triumph of Caesar: Soldiers Carrying Trophies by Andrea Mantegna, c. 1495

    Triumph of Caesar: Soldiers Carrying Trophies

    Andrea Mantegna

    ΔE 1.8 · near-exact

    15% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 3.6 · very close

    24% of canvas

  • Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 0.8 · near-exact

    10% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 1.7 · near-exact

    14% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.5 · close

    33% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 4.4 · very close

    27% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 10.6 · close

    58% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 2.3 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.9 · very close

    29% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 4.7 · very close

    27% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.0 · close

    33% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 3.4 · very close

    20% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.8 · very close

    27% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.3 · very close

    24% of canvas

  • Orphrey Band by France, 16th century

    Orphrey Band

    France

    ΔE 3.7 · very close

    20% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 4.8 · very close

    25% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.7 · close

    29% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 1.7 · near-exact

    9% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 4.9 · very close

    25% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 4.3 · very close

    22% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 2.4 · very close

    12% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 5.3 · close

    26% of canvas

  • Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.3 · very close

    16% of canvas

  • Saint George Standing by Lucas Cranach the Elder, 1506

    Saint George Standing

    Lucas Cranach the Elder

    ΔE 2.4 · very close

    11% of canvas

  • Twelve Cupids Playing by Giovan Pietro Birago, c. 1477

    Twelve Cupids Playing

    Giovan Pietro Birago

    ΔE 3.0 · very close

    14% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 8.0 · close

    39% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 5.3 · close

    26% of canvas

  • Two Horses Fighting Dog by Johann Georg Pforr, n.d.

    Two Horses Fighting Dog

    Johann Georg Pforr

    ΔE 2.0 · near-exact

    9% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 5.4 · close

    26% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 5.0 · very close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.1 · close

    24% of canvas

  • The Marriage of the Virgin by Schelte Adamsz. Bolswert, 1625/59, printed after 1750

    The Marriage of the Virgin

    Schelte Adamsz. Bolswert

    ΔE 3.7 · very close

    17% of canvas

What ΔE means, and what this does not measure