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#6b6150

Ranked by perceptual distance

Works near #6b6150

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 11.7 · close

    86% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 13.4 · loosely related

    91% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 5.8 · close

    49% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 2.3 · very close

    29% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 2.0 · very close

    26% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 2.2 · very close

    27% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 8.3 · close

    57% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 2.7 · very close

    26% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 9.0 · close

    57% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.0 · close

    41% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 9.3 · close

    58% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 3.2 · very close

    27% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 2.9 · very close

    25% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.1 · very close

    31% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 5.6 · close

    38% of canvas

  • Battle of the Naked Men by Domenico Campagnola, 1517

    Battle of the Naked Men

    Domenico Campagnola

    ΔE 3.4 · very close

    27% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 5.0 · close

    35% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.4 · very close

    22% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 2.9 · very close

    24% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.1 · very close

    25% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 2.2 · very close

    20% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.4 · near-exact

    16% of canvas

  • Frieze with Tritons and Nymphs by Girolamo Mocetto, 1515/20

    Frieze with Tritons and Nymphs

    Girolamo Mocetto

    ΔE 3.3 · very close

    25% of canvas

  • Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.6 · near-exact

    16% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 2.8 · very close

    23% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 5.6 · close

    36% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 3.0 · very close

    24% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 9.8 · close

    57% of canvas

  • Battle of the Sea Gods: Right Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of the Sea Gods: Right Half of a Frieze

    Andrea Mantegna

    ΔE 2.2 · very close

    19% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 3.9 · very close

    27% of canvas

  • The Marriage of the Virgin by Schelte Adamsz. Bolswert, 1625/59, printed after 1750

    The Marriage of the Virgin

    Schelte Adamsz. Bolswert

    ΔE 1.9 · near-exact

    17% of canvas

  • Saint George by Benedetto Montagna, 1506

    Saint George

    Benedetto Montagna

    ΔE 3.8 · very close

    26% of canvas

  • The Unlucky Attempt by Thomas Parr, n.d.

    The Unlucky Attempt

    Thomas Parr

    ΔE 3.0 · very close

    21% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 3.9 · very close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    38% of canvas

  • Sacrifice to Priapus, the smaller plate by Jacopo de' Barbari, 1501/03

    Sacrifice to Priapus, the smaller plate

    Jacopo de' Barbari

    ΔE 1.6 · near-exact

    14% of canvas

  • Head of Executioner, from John Evelyn's Sculptura by Richard Houston, 1755

    Head of Executioner, from John Evelyn's Sculptura

    Richard Houston

    ΔE 1.4 · near-exact

    13% of canvas

  • Portrait of Georg Roggenbach by Hanns Lautensack, 1554

    Portrait of Georg Roggenbach

    Hanns Lautensack

    ΔE 1.2 · near-exact

    12% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 4.0 · very close

    25% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 3.7 · very close

    23% of canvas

  • The Arch of Septimus Severus by Luigi Rossini, 1820

    The Arch of Septimus Severus

    Luigi Rossini

    ΔE 2.8 · very close

    19% of canvas

  • Saint George Standing by Lucas Cranach the Elder, 1506

    Saint George Standing

    Lucas Cranach the Elder

    ΔE 1.4 · near-exact

    11% of canvas

  • Bridge with House by Unknown artist, n.d.

    Bridge with House

    Unknown artist

    ΔE 3.5 · very close

    22% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 0.7 · near-exact

    8% of canvas

  • Head of a Man by Ancient Greek, 3rd-1st century BCE

    Head of a Man

    Ancient Greek

    ΔE 0.3 · near-exact

    6% of canvas

  • Study for Simeon and Levi Slay the Sichemites, from Figures de la Bible by Gerard Hoet, I, c. 1728

    Study for Simeon and Levi Slay the Sichemites, from Figures de la Bible

    Gerard Hoet, I

    ΔE 3.2 · very close

    20% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.8 · very close

    23% of canvas

  • Peasant Couple Dancing by Albrecht Dürer, 1514

    Peasant Couple Dancing

    Albrecht Dürer

    ΔE 2.9 · very close

    18% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 4.0 · very close

    24% of canvas

  • Portrait of Philibert Orrey by François Bernard Lépicié, 1737

    Portrait of Philibert Orrey

    François Bernard Lépicié

    ΔE 3.9 · very close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.1 · very close

    14% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 5.1 · close

    29% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 6.1 · close

    34% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 5.8 · close

    32% of canvas

  • The Despair of the Butcher. “- Just imagine: Anybody can establish himself as a butcher! Ah! There are moments when I feel like taking my meat chopper and cutting myself in two halves like a simple veal,” plate 458 from Actualités by Honoré-Victorin Daumier, 1857

    The Despair of the Butcher. “- Just imagine: Anybody can establish himself as a butcher! Ah! There are moments when I feel like taking my meat chopper and cutting myself in two halves like a simple veal,” plate 458 from Actualités

    Honoré-Victorin Daumier

    ΔE 1.9 · near-exact

    12% of canvas

  • The Fifth Wise Virgin by Martin Schongauer, 1480-91

    The Fifth Wise Virgin

    Martin Schongauer

    ΔE 1.2 · near-exact

    9% of canvas

  • The Adoration of the Magi by Unknown artist, 1503/13

    The Adoration of the Magi

    Unknown artist

    ΔE 2.3 · very close

    14% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 4.2 · very close

    24% of canvas

  • The Lock by David Lucas, 1832–34

    The Lock

    David Lucas

    ΔE 4.2 · very close

    24% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 3.3 · very close

    19% of canvas

What ΔE means, and what this does not measure