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#6e4f3e

Ranked by perceptual distance

Works near #6e4f3e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 4.4 · very close

    49% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 2.6 · very close

    35% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.7 · close

    48% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 5.1 · close

    39% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 15.0 · loosely related

    86% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.3 · very close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    30% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 1.5 · near-exact

    15% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.5 · close

    42% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 3.8 · very close

    23% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.0 · very close

    24% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 2.9 · very close

    19% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 4.6 · very close

    27% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.9 · very close

    27% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.0 · very close

    22% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 0.3 · near-exact

    3% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.0 · very close

    26% of canvas

  • Stamnos (Mixing Jar) by Chicago Painter, about 450 BCE

    Stamnos (Mixing Jar)

    Chicago Painter

    ΔE 1.5 · near-exact

    8% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.5 · close

    33% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.5 · close

    33% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 13.6 · loosely related

    68% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.1 · very close

    20% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 3.1 · very close

    15% of canvas

  • Life Cast of the Hands and Face of Abraham Lincoln by Leonard Wells Volk, Cast in plaster 1860; cast in bronze by 1888

    Life Cast of the Hands and Face of Abraham Lincoln

    Leonard Wells Volk

    ΔE 3.2 · very close

    15% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 2.9 · very close

    14% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 2.2 · very close

    10% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 11.6 · close

    57% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.7 · close

    32% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 11.9 · close

    57% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 5.1 · close

    23% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 6.8 · close

    31% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.4 · close

    29% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 8.1 · close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.3 · close

    38% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 12.3 · loosely related

    57% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.1 · very close

    16% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.7 · close

    33% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.5 · very close

    12% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 5.9 · close

    23% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 9.5 · close

    41% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 5.5 · close

    21% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 14.5 · loosely related

    66% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 5.9 · close

    23% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 5.4 · close

    20% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 10.4 · close

    45% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 7.7 · close

    31% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 5.3 · close

    18% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 3.9 · very close

    11% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 6.3 · close

    23% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.4 · very close

    9% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 8.6 · close

    34% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 7.4 · close

    27% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 6.0 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.5 · close

    27% of canvas

  • Column Krater (Mixing Bowl) by Ancient Greek, 460-450 BCE

    Column Krater (Mixing Bowl)

    Ancient Greek

    ΔE 4.6 · very close

    12% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.6 · very close

    12% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 8.9 · close

    33% of canvas

  • Snuff Box by Jacob Frisard, Early 19th century

    Snuff Box

    Jacob Frisard

    ΔE 4.7 · very close

    12% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.5 · close

    26% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 10.6 · close

    41% of canvas

What ΔE means, and what this does not measure