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#6e5f4a

Ranked by perceptual distance

Works near #6e5f4a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 4.1 · very close

    41% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 13.2 · loosely related

    86% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 6.6 · close

    49% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 1.4 · near-exact

    23% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.2 · loosely related

    91% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 6.9 · close

    49% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 2.3 · very close

    25% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 4.3 · very close

    35% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 3.1 · very close

    29% of canvas

  • Triumph of Caesar: Soldiers Carrying Trophies by Andrea Mantegna, c. 1495

    Triumph of Caesar: Soldiers Carrying Trophies

    Andrea Mantegna

    ΔE 0.3 · near-exact

    15% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 2.8 · very close

    27% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.3 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    29% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 0.9 · near-exact

    16% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.2 · very close

    32% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 2.5 · very close

    23% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 3.5 · very close

    27% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 9.5 · close

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.7 · close

    42% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 4.7 · very close

    31% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 9.9 · close

    57% of canvas

  • Stigmatization of Saint Francis of Assisi by probably Italian, n.d.

    Stigmatization of Saint Francis of Assisi

    probably Italian

    ΔE 3.2 · very close

    23% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.1 · very close

    27% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 4.2 · very close

    27% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 5.6 · close

    34% of canvas

  • Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.5 · near-exact

    13% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 4.2 · very close

    26% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 0.8 · near-exact

    9% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 4.3 · very close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.7 · close

    38% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 2.2 · very close

    15% of canvas

  • Two Horses Fighting Dog by Johann Georg Pforr, n.d.

    Two Horses Fighting Dog

    Johann Georg Pforr

    ΔE 1.0 · near-exact

    9% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 3.6 · very close

    22% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.5 · very close

    16% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 1.0 · near-exact

    8% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 4.6 · very close

    26% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 10.9 · close

    57% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 4.0 · very close

    22% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.9 · very close

    27% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 1.7 · near-exact

    10% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.5 · close

    29% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 4.3 · very close

    24% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 5.0 · very close

    27% of canvas

  • Saint George Standing by Lucas Cranach the Elder, 1506

    Saint George Standing

    Lucas Cranach the Elder

    ΔE 2.0 · near-exact

    11% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 4.8 · very close

    26% of canvas

  • Descent into Limbo by Andrea Mantegna, 1475/80

    Descent into Limbo

    Andrea Mantegna

    ΔE 3.6 · very close

    19% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 5.0 · close

    26% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 3.8 · very close

    20% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 5.5 · close

    29% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.3 · close

    33% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 6.4 · close

    33% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.4 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.5 · very close

    13% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 11.6 · close

    58% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.8 · very close

    24% of canvas

  • Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk by David Lucas, 1830

    Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk

    David Lucas

    ΔE 4.1 · very close

    20% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 7.4 · close

    36% of canvas

  • Head of a Man by Ancient Greek, 3rd-2nd century BCE

    Head of a Man

    Ancient Greek

    ΔE 1.2 · near-exact

    5% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.4 · close

    26% of canvas

  • Battle of the Naked Men by Domenico Campagnola, 1517

    Battle of the Naked Men

    Domenico Campagnola

    ΔE 5.8 · close

    27% of canvas

What ΔE means, and what this does not measure