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#6f6147

Ranked by perceptual distance

Works near #6f6147

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 3.1 · very close

    41% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 2.7 · very close

    35% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 1.3 · near-exact

    25% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 2.5 · very close

    29% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 3.7 · very close

    34% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 1.6 · near-exact

    23% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 2.3 · very close

    27% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 2.5 · very close

    27% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 14.5 · loosely related

    86% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.4 · close

    49% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.7 · loosely related

    91% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    29% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.6 · very close

    22% of canvas

  • Prison Scene by Vincenzo dal Re, n.d.

    Prison Scene

    Vincenzo dal Re

    ΔE 3.8 · very close

    27% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.1 · close

    49% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 3.8 · very close

    27% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.2 · very close

    29% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 3.7 · very close

    26% of canvas

  • Head of a Woman by Ancient Greek, 3rd-1st century BCE

    Head of a Woman

    Ancient Greek

    ΔE 0.6 · near-exact

    10% of canvas

  • Young Man Holding Statuette by John Russell, 1760

    Young Man Holding Statuette

    John Russell

    ΔE 3.3 · very close

    24% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 2.7 · very close

    21% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 2.3 · very close

    18% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 3.8 · very close

    26% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.6 · very close

    24% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.4 · close

    42% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 3.4 · very close

    22% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 5.2 · close

    31% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 6.3 · close

    36% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 4.5 · very close

    27% of canvas

  • Triumph of Caesar: Soldiers Carrying Trophies by Andrea Mantegna, c. 1495

    Triumph of Caesar: Soldiers Carrying Trophies

    Andrea Mantegna

    ΔE 2.1 · very close

    15% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 2.3 · very close

    16% of canvas

  • Head of a Child (?) by Ancient Greek, 2nd-1st century BCE

    Head of a Child (?)

    Ancient Greek

    ΔE 0.3 · near-exact

    6% of canvas

  • Head of a Man or Woman by Ancient Greek, 3rd-1st century BCE

    Head of a Man or Woman

    Ancient Greek

    ΔE 1.2 · near-exact

    10% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.9 · very close

    23% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 5.8 · close

    32% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 1.6 · near-exact

    10% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 11.0 · close

    57% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 4.2 · very close

    23% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 2.7 · very close

    15% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 5.0 · very close

    26% of canvas

  • Attached Heads of a Child and a Woman by Ancient Greek, 3rd/1st century BCE

    Attached Heads of a Child and a Woman

    Ancient Greek

    ΔE 1.2 · near-exact

    8% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 7.4 · close

    38% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.2 · very close

    13% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 4.9 · very close

    25% of canvas

  • Descent into Limbo by Andrea Mantegna, 1475/80

    Descent into Limbo

    Andrea Mantegna

    ΔE 3.8 · very close

    19% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.4 · very close

    12% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.4 · very close

    12% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.2 · close

    26% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 5.5 · close

    27% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 3.6 · very close

    18% of canvas

  • The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789 by Katsukawa Shunkо̄, c. 1789

    The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789

    Katsukawa Shunkо̄

    ΔE 1.9 · near-exact

    9% of canvas

  • Bridge with House by Unknown artist, n.d.

    Bridge with House

    Unknown artist

    ΔE 4.4 · very close

    22% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 4.1 · very close

    20% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 11.4 · close

    57% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.3 · very close

    21% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.8 · very close

    24% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 1.8 · near-exact

    8% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 5.3 · close

    26% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 3.2 · very close

    15% of canvas

What ΔE means, and what this does not measure