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#6f6327

Ranked by perceptual distance

Works near #6f6327

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 0.1 · near-exact

    33% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.5 · very close

    30% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 2.6 · very close

    21% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 2.1 · very close

    14% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.1 · close

    29% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 2.7 · very close

    16% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.1 · close

    41% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.3 · close

    29% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 2.7 · very close

    11% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 9.0 · close

    42% of canvas

  • Panel by France or England, c. 1725

    Panel

    France or England

    ΔE 6.3 · close

    27% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 3.6 · very close

    13% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 4.5 · very close

    17% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.9 · very close

    19% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.7 · close

    28% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 8.1 · close

    35% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 7.9 · close

    34% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.6 · close

    21% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 5.7 · close

    22% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 8.0 · close

    33% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 12.5 · loosely related

    55% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.9 · very close

    17% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 13.2 · loosely related

    57% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 9.4 · close

    38% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.5 · close

    23% of canvas

  • Old Farmhouse by Unknown artist, n.d.

    Old Farmhouse

    Unknown artist

    ΔE 3.9 · very close

    10% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.4 · close

    17% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 6.1 · close

    20% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.6 · close

    28% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.7 · close

    23% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.5 · close

    32% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 8.2 · close

    30% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 5.4 · close

    15% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 9.2 · close

    34% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 9.8 · close

    36% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 7.6 · close

    25% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.3 · close

    24% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 8.1 · close

    27% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 6.0 · close

    15% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 11.1 · close

    41% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.0 · close

    20% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 4.8 · very close

    9% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.7 · close

    13% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 8.7 · close

    27% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 11.6 · close

    41% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 9.0 · close

    28% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 5.5 · close

    10% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 9.8 · close

    32% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 11.8 · close

    41% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 8.0 · close

    21% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 9.9 · close

    31% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 6.9 · close

    16% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 21.9 · loosely related

    91% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 7.2 · close

    17% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 12.3 · loosely related

    42% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 7.4 · close

    18% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 9.1 · close

    26% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 13.6 · loosely related

    49% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 10.6 · close

    34% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 11.6 · close

    38% of canvas

What ΔE means, and what this does not measure