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#704839

Ranked by perceptual distance

Works near #704839

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 0.2 · near-exact

    24% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 1.5 · near-exact

    26% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 10.0 · close

    68% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.4 · close

    48% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 4.6 · very close

    35% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 6.7 · close

    45% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 3.3 · very close

    28% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.7 · close

    49% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    26% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.8 · very close

    27% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 5.7 · close

    37% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 4.8 · very close

    31% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 4.7 · very close

    28% of canvas

  • Hydria (Water Jar) by The Orchard Painter, 480-470 BCE

    Hydria (Water Jar)

    The Orchard Painter

    ΔE 1.5 · near-exact

    11% of canvas

  • Column Krater (Mixing Bowl) by Ancient Greek, 460-450 BCE

    Column Krater (Mixing Bowl)

    Ancient Greek

    ΔE 1.8 · near-exact

    12% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.8 · very close

    26% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 4.1 · very close

    23% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.1 · loosely related

    86% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 7.8 · close

    39% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.2 · very close

    16% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.8 · very close

    24% of canvas

  • Skyphos (Drinking Cup) by Ancient Greek, About 500-480 BCE

    Skyphos (Drinking Cup)

    Ancient Greek

    ΔE 2.1 · very close

    9% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.6 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.5 · close

    30% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 3.6 · very close

    15% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.2 · very close

    7% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 5.4 · close

    23% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 2.9 · very close

    10% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.9 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.4 · close

    27% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 11.4 · close

    52% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.8 · very close

    18% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 7.7 · close

    33% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 5.6 · close

    22% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.3 · close

    20% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 11.1 · close

    49% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 6.1 · close

    24% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 8.2 · close

    33% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 6.0 · close

    22% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.7 · close

    25% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.4 · close

    33% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.4 · close

    23% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 2.6 · very close

    4% of canvas

  • Border Fragments by Nasca, 100 BCE-200 CE

    Border Fragments

    Nasca

    ΔE 4.6 · very close

    14% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 8.0 · close

    31% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.2 · close

    21% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 5.9 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.0 · close

    15% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 6.3 · close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 10.7 · close

    42% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 6.7 · close

    22% of canvas

  • Oinochoe (Pitcher) by Mattinata Painter, end of 4th century BCE

    Oinochoe (Pitcher)

    Mattinata Painter

    ΔE 4.0 · very close

    9% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 6.0 · close

    19% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 9.9 · close

    38% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    14% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.2 · close

    19% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 8.5 · close

    30% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 4.4 · very close

    10% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 4.4 · very close

    9% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 6.4 · close

    19% of canvas

What ΔE means, and what this does not measure