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#715231

Ranked by perceptual distance

Works near #715231

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 2.7 · very close

    49% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.4 · very close

    48% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 2.8 · very close

    39% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 3.7 · very close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.8 · very close

    42% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 3.6 · very close

    34% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 2.2 · very close

    26% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 2.4 · very close

    27% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.3 · very close

    30% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 4.2 · very close

    33% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 1.4 · near-exact

    18% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 4.1 · very close

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.4 · close

    38% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.2 · close

    41% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.9 · very close

    30% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 5.2 · close

    35% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.0 · very close

    24% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.0 · very close

    19% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.2 · close

    34% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 2.3 · very close

    18% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 1.9 · near-exact

    16% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 3.3 · very close

    22% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.4 · close

    33% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 3.4 · very close

    22% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 5.8 · close

    33% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 4.7 · very close

    27% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 0.4 · near-exact

    6% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.0 · very close

    23% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 3.7 · very close

    20% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.2 · close

    32% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 3.9 · very close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.8 · very close

    24% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 5.4 · close

    27% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 4.8 · very close

    23% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.4 · loosely related

    86% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.7 · close

    26% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 3.6 · very close

    15% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.8 · close

    31% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 3.3 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.2 · close

    27% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.6 · very close

    19% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.9 · very close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.6 · close

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · very close

    21% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.9 · very close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.0 · close

    25% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.9 · close

    29% of canvas

  • Fragment by Italy, Early 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    17% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 9.6 · close

    43% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.6 · very close

    12% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.2 · close

    26% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.9 · very close

    9% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 5.8 · close

    23% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.0 · close

    24% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 6.4 · close

    26% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 4.2 · very close

    15% of canvas

  • Descent Into Limbo by Style of Domenico Maria Canuti, n.d.

    Descent Into Limbo

    Style of Domenico Maria Canuti

    ΔE 2.7 · very close

    7% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 2.5 · very close

    6% of canvas

What ΔE means, and what this does not measure